Sound and Bar

[BrandonJF]

Originally Posted by Ruined

I guess we'll have to do this the hard way. Why dont you explain to me exactly how a Blu-ray player downmixes each of the 5.1 track channels to 2.0. Perhaps once you do the research to understand this, that will inform you how the data in the audio channels is handled in a dynamic downmix and you will understand why a professional 2.0 downmix is superior to a player downmixing 5.1 to 2.0.

Obviously, the word "compatability" means something different to you than it means to me. You keep throwing around the term "compatability" as if WBHV decided to stick... ummm.... "professional 2.0 downmixes" () on their releases because there are "compatability" issues between, say, a DD5.1 audio track and some piece of equipment.

"Not as good" != "compatibility issue". Not to me, at least. And you're totally guessing as to the quality of these "professional 2.0 downmixes" and the discernability to most listeners. Really, everything you've been saying are your guesses-stated-as-facts.

Ugh.... I keep taking the bait. I get it. It's me. Hi. I'm the problem it's me.