List of 65/70mm films on 4K UHD

[heinzw]

Would love Patton (Fox) on UHD, but it's now owned by Disney so I won't hold my breath. Man would it look great though!

[Dubstar]

Originally Posted by puddy77

Apollo 11 should be moved to the partial section. It used 16, 35, 5-perf 65, and 10-perf 70 (a special military reversal stock).

And of course First Man should also be added under partial for the end section in 15-perf 65.

Also, if you're including the Star Wars movies, you have it backwards. TFA and TLJ used 15-perf 65 on a couple scenes. TROS used 35 only with some plates by an Alexa 65.

In regards to Apollo 11, I knew about the 16, 35, and 5-perf 65, but not 10- perf 70, wouldn't that still technically be 65mm though, since the audio was always nestled on the extra 5mm space on the film?

[Geoff D]

Originally Posted by Dubstar

In regards to Apollo 11, I knew about the 16, 35, and 5-perf 65, but not 10- perf 70, wouldn't that still technically be 65mm though, since the audio was always nestled on the extra 5mm space on the film?

No, it was actual 70mm gauge reversal film (so it recorded a positive image directly onto the emulsion) and the recorded image stretched from perf to perf, it was such a unique configuration that they had to use a prototype scanner from Filmlight to capture it.

Whereas for 5-perf or 15-perf IMAX 65mm they're still basically using the Todd-AO system (shoot on 65 negative, print to 70) all these years later.

[Agent Kay]

Originally Posted by Agent Kay

If you are adding wish list, Far and Away.

Also you are missing Batman V Superman, Ghost Protocol, Revenge of the fallen, Into Darkness, Catching Fire, Force Awakens and Last Jedi

Still missing a few there

[newtonp01]

Originally Posted by puddy77

Apollo 11 should be moved to the partial section. It used 16, 35, 5-perf 65, and 10-perf 70 (a special military reversal stock).

And of course First Man should also be added under partial for the end section in 15-perf 65.

Also, if you're including the Star Wars movies, you have it backwards. TFA and TLJ used 15-perf 65 on a couple scenes. TROS used 35 only with some plates by an Alexa 65.

Seriously? I thought during pre-production they said the whole thing would be filmed in 65...no wonder it didn't look as good as I thought it would. What happened there?

[puddy77]

Originally Posted by newtonp01

Seriously? I thought during pre-production they said the whole thing would be filmed in 65...no wonder it didn't look as good as I thought it would. What happened there?

That was when Trevorrow was still attached.

[Jospef]

Changes done.

[Geoff D]

Originally Posted by newtonp01

Seriously? I thought during pre-production they said the whole thing would be filmed in 65...no wonder it didn't look as good as I thought it would. What happened there?

Lol, I distinctly remember people saying the same thing about Last Jedi, that it was all going to be shot on 65 or some such.

[Jar Jar Stinks]

What else is missing from this list?

[imsounoriginal]

Originally Posted by jar jar stinks

what else is missing from this list?

[Pieter V]

[Jar Jar Stinks]

Any of these in the works?

• Oklahoma! (1955) – Todd-AO @ 30 frame/s; this production also shot in 35 mm CinemaScope @ 24 frame/s
• Around the World in 80 Days (1956) – Todd-AO; shot twice, with cameras running at 30 and 24 frame/s, respectively
• South Pacific (1958) – Todd-AO
• Ben-Hur (1959) – MGM Camera 65
• Porgy and Bess (1959) – Todd-AO
• The Alamo (1960) – Todd-AO
• Exodus (1960) – Super Panavision 70
• West Side Story (1961) – Panavision 70
• Mutiny on the Bounty (1962) – Ultra Panavision 70
• It's a Mad, Mad, Mad, Mad World (1963) – Ultra Panavision 70; shown in 70 mm Cinerama
• Cleopatra (1963) – Todd-AO (shooting started in CinemaScope, changed to 3-panel Cinerama and finally to Todd-AO. The anamorphic and 3-panel footage was discarded.)
• The Fall of the Roman Empire (1964) – Ultra Panavision 70
• The Sound of Music (1965) – Todd-AO (second unit photography [aerial shots] in Superpanorama 70)
• Those Magnificent Men in Their Flying Machines (1965) – Todd-AO (some scenes in Superpanorama 70)
• The Greatest Story Ever Told (1965) – Ultra Panavision 70; shown in 70 mm Cinerama
• Lord Jim (1965) – Super Panavision 70
• Khartoum (1966) – Ultra Panavision 70; shown in 70 mm Cinerama
• Grand Prix (1966) – Super Panavision 70 (some scenes in Superpanorama 70); shown in 70 mm Cinerama
• The Bible: In The Beginning (1966) – Dimension 150 (credited as D-150)
• Doctor Dolittle (1967) – Todd-AO
• Ice Station Zebra (1968) – Super Panavision 70 (shooting started in Ultra Panavision 70 then switched to Super Panavision 70); shown in 70 mm Cinerama
• Hello, Dolly! (1969) – Todd-AO
• Airport (1970) – Todd-AO
• Patton (1970) – Dimension 150
• Tron (1982) – Super Panavision 70. Live-action all filmed in color 65mm; CGI sequences filmed in 65mm B&W and composited to a VistaVision intermediate then optically printed back to 70mm IP.
• Far and Away (1992) – Panavision System 65; segments in Arri 765 and VistaVision
• The Hateful Eight (2015) - Ultra Panavision 70 (the first 70mm Cinerama release since 1970)

[Poya]

Not that I know of.

[fuzzymctiger]

Originally Posted by Jar Jar Stinks

Any of these in the works?
[*]Patton (1970) – Dimension 150

On 4K Dolby Vision on Star/Disney+ in some territories and rumoured to be coming to UHD.

Nothing concrete though about a physical release

[Croweyes1121]

Originally Posted by Agent Kay

If you are adding wish list, Far and Away

THIS. And the TV scenes in HD and OAR, even as an extra.

[Jar Jar Stinks]

Originally Posted by fuzzymctiger

On 4K Dolby Vision on Star/Disney+ in some territories and rumoured to be coming to UHD.

Nothing concrete though about a physical release

When is the US gonna get these Fox movies? I pay for Disney+, but there's not much on it for me to watch.

[Pieter V]

[Pieter V]

[thethingwithnoname]

i wish Baraka would hit 4K, I'd order that in less than a heartbeat

[JMDiaz718]

I remember Alien (1979) and Superman The Movie (1978) being released in 70mm. I was 11 when I saw Alien at the Criterion in NYC. Superman was at Loews Astor Plaza. Both theaters were huge and unfortunately long gone now.

http://https://www.in70mm.com/presen...lien/index.htm

http://https://www.in70mm.com/presen...an_1/index.htm