I can't imagine someone going into this film blind without knowing about the vampire angle. I bet that would be one of the biggest cinematic shocks someone could have as the first half of this film is an amazingly detailed character study focused on two very separate brothers trying to make it to the Mexican border while escaping the law. If vampires had never entered the fray, I honestly believe "From Dusk Till Dawn" would still be a magnificent cinematic achievement. George Clooney was one cool customer and Quentin Tarantino's twitchy neuroticism plays superbly off his silver screen sibling. Harvey Keitel brings the right degree of stoicism to match Clooney's increasing agitation as events spiral out of his control. Juliette Lewis and Ernest Liu are strong enough actors to add weight to their roles as Keitel's daughter and son, and don't just feel like they're being dragged along for the ride.
When Salma Hayek comes out to dance with the snake, there's a distinct tonal shift that announces the tense dramatic masterwork is about to become . . . something more. The rampaging blood 'n' guts yarn that this movie evolves into is equally as impressive as the electrifying human drama at its start. In fact, the amount of all around badassery in this film is staggering. Fred Williamson and Tom Savini sink their teeth into a pair of meaty roles and it's always nice to see Danny Trejo grace a film with his presence. However, it's probably Cheech Marin who's having the most fun with his triple character appearances - you can tell he's loving every minute of screen time he gets (particularly when luring potential bar patrons into the "Titty Twister"). I'm a sucker for the old gothic-style vampire films that Universal and Hammer used to release, but for modern bloodsucking butchery, none can top "From Dusk Till Dawn!"
½
This is another blind "first time watch" for me and
[Show spoiler]if this one has someone living undetected within the walls of a house I'm going to shit. The title of this film is doing nothing to dissuade my worry in the slightest.
I love the cold, bleak winter wasteland images that open this film. I believe it was just one week ago during my review for the original "Child's Play" film when I said I wished there were more winter time terrors to enjoy. Much like "From Dusk Till Dawn," "We Are Still Here" is very much a film cut into halves. Now, when people call some films "slow burns" what they mean is it rises slowly to a boiling point. When I call the first half of this film a "slow burn," what I really mean is it moves sloooooooowly. It's less than eighty-five minutes long and yet very little happens before the forty minute mark. Don't get me wrong, it's not that the start of this film is boring, but with its short length I guess I just expected more of a fast-paced thriller. Still, the little moments of tension that crept around celluloid corners to furtively peak in my direction (particularly the electrician in the basement) kept my attention glued to the screen.
I enjoyed the interactions between Andrew Sensenig and legendary scream queen Barbara Crampton. However, I personally believe that Larry Fessenden is one of the most underrated actors working in film today.
[Show spoiler]Once invaded by the violent spirit of the house, he manifests a psychotic vision slightly more extreme than that of Jack Nicholson in "The Shining," though it doesn't contain as many of the subtle shades Nicholson introduced in his performance.
Between this, "Brooklyn 45" in 2023, "Jakob's Wife" in 2021 (also starring Crampton), his directorial work on "Depraved" in 2019 and a few other scattered smaller motion pictures, Feesenden is having a pretty decent decade. The enchanting Lisa Marie, as Fessenden's wife, competently rounds off the main foursome of the film. I really enjoyed the idea of a house
[Show spoiler]that needs to kill its inhabitants every thirty years so its evil won't have to search elsewhere for victims.
It made for a fairly brief but very fun little film and I can see myself watching this again in the near future.
½
"If you look in the mirror and say his name five times . . ." Clive Barker gave us one of my favorite horror icons of the eighties and all we had to do was open a decorative little puzzle box. In the nineties, he gave us an even easier way to conjure up nightmarish evil and delivered another icon that rivaled his first hellish monstrosity. Born from forbidden love, and death at the hands of a lynch mob, Candyman cuts a startling figure as an urban legend who stalks the streets on the north side of Chicago. This is without question one of director Bernard Rose's three greatest masterpieces (along with 1988's "Paperhouse" and 1994's "Immortal Beloved") and features a score composed by Philip Glass which is perhaps the most haunting I have ever heard.
Virginia Madsen is incredibly understated - compared to other performances she's given - as the graduate student who gets sucked into the legend while Xander Berkeley is deliciously scummy as her husband. However, even though he has limited screen time, this is Tony Todd's show all the way. Once he slipped into the shoes of the titular symbol of terror, it was hard to associate him with any other role. The finale is
[Show spoiler]a mixture of horror and heartbreak watching Madsen crawl her way through a raging bonfire that envelops her as she tries to save a woman's baby. Having her become the next urban legend was the icing on this cinematic cake.
"Candyman" will forever be one of my favorite horror films of the nineties.
GREAT SONG TO OPEN (AND CLOSE) "FROM DUSK TILL DAWN:"
MONSTERFEST 2024
Blue = blu-ray, * = first viewing
September Warm-upThe list so far:
[Show spoiler]
TV EPISODES
ROUTE 66: LIZARD'S LEG & OWLET'S WING (1962) 1/2 This Halloween episode itself isn't great, but it guest stars Boris Karloff, Lon Chaney Jr, and Peter Lorre. Chaney appears as the Hunchback (his dad's old role), the Mummy, and the Wolf Man. Karloff dons his Frankenstein monster make-up one last time. The story is nothing, but it's worth it to see these guys in something close to the make-ups that made them famous. Nostalgic fun. Cool blu-ray, with vintage horror commercials, a clip of Vampira, an episode of Suspense with Bela Lugosi, and two episodes of the Karlff show, The Veil. TWILIGHT ZONE: JESS-BELLE (1962) One of the best of the 1 hour episodes - a tale of witchcraft and a Were-cat. Great script by Earl Hamner, with a strong folk-tale favor. Really good. TWILIGHT ZONE: NIGHTMARE AT 20,000 FEET (1963) What a great Twilight Zone episode. A true TV-horror landmark. Shatner is GREAT in this. According to their titles, this flies 17,000 feet lower than the similarly titled movie above, but don't believe it. This soars miles above the competition. A stone-cold TZ classic, and a really fun capper to our Shatner-On-A-Plane double feature (with the TV movie The Horror At 37,000 Feet.) KOLCHAK: THE NIGHT STALKER - THE ZOMBIE The Zombie is one of the creepiest episodes of this series. In this one, Carl is investigating a crime involving voodoo and the reanimation of the dead. The climax, with our intrepid reporter desperately trying to fill the dead man's mouth and salt and sew it closed before it revives is pretty hair-raising. Fun to see this again. I think my wife and I will try to work the entire 1-season series into this year's Monsterfest.
MOVIES
THE SPELL (1977) 1/2 1970's TV movies appeal mainly to those of us that grew up with them. They have limitations on budget, FX, and gore, but to this former 70s kid they're cheesy fun. This one gets dismissed as a Carrie knock-off (though it was actually written before Carrie) but other than a few surface similarities they're not that much alike. The subject is witchcraft, not telekinesis, and the final revelation is far from Carrie's storyline. Over-all rather good for what it is. Well-acted with some effective moments and a fun surprise ending. WARNING: the Scream-Factory blu-ray only contains the extended version. Unfortunately, the additional scenes were obviously not part of the original movie. They add nothing, they're spliced crudely into the film, and the tagged on ending spoils the very satisfying original conclusion, and lowers my rating by 1/2 skull. I wish the added footage wasn't there, or was a bonus to the original film. *HORRORS OF THE BLACK MUSEUM (1959) 1/2 First time viewing this early slasher/gore flick. Not exactly good, but very entertaining! Michael Gough hams it up nicely, and if there are no surprises, there are plenty of smiles at this once-shocking film. Best remembered for those horrible loaded binoculars! LATE NIGHT WITH THE DEVIL[/B] (streaming) (2023) 1/2 Really clever, and very well-done! The recreation of the 70s TV show is totally convincing. It loses me a bit at the ending when the faux-documentary approach is suddenly abandoned. It turns quite dark and, IMO, a bit less fun. Still there's much to like here, and I loved it until the ending. *AFRAID (2024) (Theatrical) This is getting absolutely TERRIBLE reviews on Rotten Tomatoes, but my wife and I really enjoyed it. It's a bit silly in parts, but always engrossing, and very well-acted with convincing family relationships. It has a wonderful sense of paranoia, and it doesn't over-stay its welcome. Instead of endless climaxes, it comes to a swift, satisfying, and unsettling conclusion ...and stops. Bravo! Obviously I'm alone on this one, but I found it far more enjoyable than most theatrical horrors I have seen this year. I'm sure I'll add it to the collection when it comes out. *MOON OF THE WOLF (Streaming) 1972 Another of those 70s TV horrors, this time set in the Louisiana bayou and starring David Janssen as a southern sheriff. We had never seen it before, but despite a cool setting, decent story and good acting, it was just too tame. There's more investigation footage than werewolf action, and when the climax did come, it was undercut by weak werewolf make-up. It was fun for our September warm-up, but I doubt we'd watch it again. *THE PSYCHIC (1977) 1/2 First time viewing, and a pretty good film. It's one of those Italian productions where everyone is ridiculously overdressed and badly dubbed. The plot gets a bit murky in spots, but over-all this is quite enjoyable. Very suspenseful as different parts of our heroine's vision come to pass. Well worth watching! THE MUMMY (1932) One of the Founding Fathers of Fear. Moves a bit slower than some, but it's so well shot and edited. Basically an Egyptian-themed re-write of Dracula, with Van Sloan and Manners back in their Van Helsing/Harker roles, the Nubian servant for Renfield, Zita Johann in the Mina role and under the control of the monster. and an amulet replacing the cross. Probably not quite as strong as Frankenstein, but wonderful and still deserving of 5 skulls. DEAD CALM (1988) An impossibly young Nicole Kidman stuck at sea with bonkers Billy Zane, while Sam Neill fights to escape a watery would-be grave. Really quite a good thriller (after a completely unnecessary opening with the death of a child.) Good performances all around. The final moments lapse into been-there-done-that killer clichés, but it's so much fun getting there that it doesn't matter. A minor classic. DEMENTIA 13 (Director's Cut) (1963) I doubt anyone would call this a great film, but Francis Ford Coppola's directorial debut is certainly interesting. This print removes the silly "Dementia 13 test" prologue, and an additional murder added by another director at Roger Corman's insistence to pad the running time. While the story is a bit muddled, it's plain to see the potential of young Coppola. Some great shots and cool scenes. A fun, worthwhile curio. Wonderful print too! *SPEAK NO EVIL (2022) (On Shudder) I hated this film. We watched it in preparation for the remake opening this week, but now I doubt I'll even see it. The premise is fine (though the bombastic score screams "HORROR MOVIE!" before anything sinister even happens.) The behavior of our protagonists gets dumber as it goes, however the film doesn't really derail until the scenes at the end. At that point I was done with it. Why was this made? Not for the poorly developed characters. Not for the plot, which becomes nonsense half-way through when our heroes begin doing thing that NO ONE would ever do. Not for the back-story - there isn't one! No explanation at all for these people and what they do. That just leaves the pointless - and utterly tasteless - cruelty at the end. If watching suffering is all there is, count me out. This isn't entertainment. BAD RONALD (1974) 1/2 This is another of those fun, fondly remembered 70s TV movies, and one of the better ones! Ronald is an outcast kid who lives alone with his sick mother. He gets in trouble with the law, so mom helps hide him in a secret room in the house. Unfortunately mom dies, and Ronald is still hiding in the walls when a new family moves in. Hilarity ensues. If you grew up with these TV films and understand their limitations, make it 4 skulls - it's quite good for what it is. If you're too young to have been there, or have no patience for vintage cheese, you should probably just move along. A really fun film, and a remarkably good looking blu-ray! SOMETIMES THEY COME BACK (1991) This was a 1991 CBS TV movie, and despite a few cheesy elements (the campy "undead" makeup, occasionally cringy dialogue) it's a favorite of mine. It's an engrossing story, mostly well-acted, and ends on a surprisingly bitter-sweet note. I really enjoyed it!
Only complaint: why is this in the 2:35 aspect ratio? It was filmed and shown at 4:3. The German Koch Media release blu-ray offers 2 versions - in 1:78 and 2:35. 1:78 looks pretty good, but at 2:35 it's way too tight, with lots of heads cut off at the top and the chin. Annoying! *BURIED ALIVE (1990) 1/2 My wife and I have been on a vintage TV movie kick this month, and this was a fun new discovery! Frank Darabont directed it - it was his very first film - for the USA Network. Tim Matheson gets bumped off (almost!) by his cheating wife, and wakes up to find himself ...wait for it ... Buried Alive. I assumed the movie would be a survival flick about his attempt to escape, but no. He was out fairly quickly and the films heads in a completely unexpected direction. It's becomes a campy, comic book-style story that would have fit in well in Creepshow. The second half may not be very realistic, but it's a lot of fun. Great final scene! A really enjoyable blind buy. Good blu-ray from Kino. TRILOGY OF TERROR (1975) 1/2 This landmark TV horror movie gave school kids the screaming meemies for weeks after it aired. No one who saw it then has every forgotten it. It's made up of three stories, all starring Karen Black, who is quite good throughout. The first story, about date rape(!) is tame, but pretty good with a nice twist at the end. 3.5 skulls. The second, a tale of 2 sisters, is obvious and forgettable and would score a 2 at best. However, it's the final story - about a "Zuni fetish doll" - that this film is remembered for. It starts quietly, but once it gets going it's frantically paced and relentless in it's tale of survival between a woman and the action figure from Hell. Unlike anything ever produced for TV up until that time, and still very effective. A solid 5 skulls. That story alone made this film a must-see. *TRILOGY OF TERROR 2 (1996) I had never seen this sequel before, and never even knew it existed until recently. Producer Dan Curtis (Dark Shadows) is back with 3 more stories, this time all featuring Lysette Anthony ...who proves that she is no Karen Black by ranging from poor to just adequate in her three starring roles.
For me, the first story - a tale of infidelity and grave robbery - is the best. The climax features some very nasty inhabitants of the graveyard, and if they're not exactly realistic looking, they work, and had me squirming in my seat. 4 skulls. The second story, of resurrection from the grave, has the poorest acting of the three and would get a 3 at best. The third was perhaps the biggest disappointment. It's a direct sequel to the original Zuni Fetish Doll story, but it offers nothing new. After an adequate set-up it's basically a remake and even copies the original's suitcase scene note for note. Maybe 3 skulls. A fun film, but other than the first gruesome tale, it's no threat to the original. *SPEAK NO EVIL (2024) 1/2 My wife and I watched the original Danish version a few days ago, and hated it. While the premise was great, the ending was so dark, ugly and pointless that it completely wiped out the fun of the film. After reading that this version ended differently, we gave it a chance. Very different animal! Where the original is more "serious" and dark, this is a popcorn thriller. Unfortunately, like many modern popcorn flicks, it didn't know when to stop and had a silly, over-baked climax, but it was still a good time at the movies. It might not be "art" (though McAvoy is excellent) but it's fun. Many will prefer the more brutal original, but we came out of this one smiling instead of depressed. Mission accomplished. *ANTS (aka IT HAPPENED AT LAKEWOOD MANOR) (1977) 1/2 This is one of those films they always had at Blockbuster (the cover was a close-up of Suzanne Somers' cleavage, covered with ants, remember?) Finally saw it, as part of our Ant Attack double feature. Typical 70s TV eco-horror, and a lot of fun. A quaint lakeside hotel does some reconstruction and unleashes a colony of mutant, poison-injecting ants on the guests. (They're gonna hate their Yelp reviews.) Campy fun, with a lot of effects that were never meant to be seen in high-def. Still, a lot of scenes made me squirm. How did Myrna Loy end up in this, along with all those familiar 70s TV actors? Suzanne Somers is an eyeful! Surprisingly for a Kino release, the picture quality was a bit disappointing - clean, and in a choice of two aspect ratios, but waaay too bright looking. THEM! (1953) All-time 50s Sci-Fi classic. Humorously, the film takes great pains to present all the opening unexplained deaths as a mystery ...despite the movie poster and trailer featuring tons of giant ants carrying screaming people away! Look fast for young Leonard Nimoy in an early role. A terrific, suspenseful film, really well-written and acted, with wonderful footage of mid-50s Los Angeles. Easily the best of the "big bug" movies. *FEAR NO EVIL (1969) This movie was a real surprise! It's early for a TV movie - in fact it was the very first ever NBC "Movie Of The Week". Unlike many TV films from the era, it's not cheesey in the slightest. In fact, it's remarkably serious, and quite good. It's definitely a slow-burn film (and maybe a little talky) but the atmosphere is excellent, the acting is quite good and story is intelligent. It's also subtle - we had to rewatch the ending before we picked up an important detail that expalins the action in the climax. Great performance from Carol O'Conner in a small but important role. This was a blind buy, but it's definitely a film I am looking forward to watching again. COUNT DRACULA (DVD) (1977) Dracula gets the BBC Masterpiece Theatre treatment. A really excellent adaptation! It has it's flaws - it was shot on video tape so the picture quality is poor, and special effects shots consist mainly of garishly colored negative images. But story is everything, and it really shines in that department. It's closer to the book than most versions, and includes many bits that are usually left out. Jordan is used sparingly, but he makes a cold, cruel and intelligent Dracula. Renfield and Van Helsing (Frank Finley) are both excellent. (On the other hand, the English actor playing Quincy has a laugh-out-loud bad "Texas accent.")
It's low-tech and soft looking, but truly chilling and even disturbing in parts. For story and atmosphere, I would rank this among the very best adaptations of Dracula. THE HORROR AT 37,000 FEET (DVD) (1973) 1/2 This is the TV movie where former series stars went to die. William Shatner (Kirk!) Buddy Ebsen (Jed!) Russell Johnson (Professor!) Chuck Connors (The Rifleman!) Roy Thinnes (The Invaders!) and other fading stars are stuck on a plane with an evil Druid whatzit that causes freezing temperatures, oozes green glop and makes the plane stand still in mid-air! Before long the passengers are at each other's throats and arguing about who gets to be tonight's human sacrifice. Only alcoholic, defrocked priest Bill Shatner can save us all! This epic may smell as bad as last weeks fish, but it's so much fun. A one-skull cheese-fest with 5-skull entertainment - I'll call it 3 1/2. A must see! *RITUAL OF EVIL (1970) 1/2 What a difference a year makes! This is the sequel to 1969's Fear No Evil. Both films were pilots to a proposed series called Bedeviled, to star Louis Jordan as a psychiatrist battling the occult. The first film (which we just saw for the first time) is intelligent, subtle and creepy, and it ranks among the best of vintage TV horror films. This sequel is talky, muddled and lackluster. Where the first film slowly built in suspense to a great climax, this one meanders along without ever building to much of anything. Enjoyable enough for one viewing, but a real letdown after the excellent first film. *THE SAVAGE BEES (YouTube) (1976) 1/2 Not bad little 70s TV eco-horror, and not nearly as cheesy as I expected. It turned out to be a decent film with a number of tense scenes, and a memorable climax featuring a bee-covered Volkswagen slowly driving through New Orleans to the Super Dome. Soft and choppy print that may have been missing a few shots, judging by the continuity. We watched it because we have a blu-ray of the sequel, and wanted to see the original film first. *TERROR OUT THE SKY (1977) A "more of the same" sequel with some good moments. It spends way too much time on a "who cares?" romantic triangle, but the bee attacks are good, and the ending was strong, and surpisingly, a little poignant. Still, if Kino was only going to put one of these films on blu-ray, the first film would have been the better choice. DARK NIGHT OF THE SCARECROW (1981) This TV movie came out during the slasher film craze, and while TV standards kept the gore off screen, it's a surprisingly well done entry in the genre. It's also the first (and probably the best) of the few killer scarecrow movies that have been made over the years. The acting is strong, the mood is eerie and the death scenes, while bloodless, are suspenseful and really well ...executed. (Thank you, I'll be here all week!) This film is a little gem among vintage TV horrors, and the VCI blu-ray is really excellent! *NEVER LET GO (Theatrical) (2024) 1/2 This film is kind of a mixed bag for me. On the plus side it's atmospheric, original, and very well acted (the two boys are really excellent.) But it couldn't seem to make up it's mind about the reality of what we see. It's not merely ambiguous, it shows things that contradict each other, as though the filmmakers wanted to have it both ways, and for me, that didn't work. My wife liked it more than I did and gave it the extra half-skull, but we both agreed that with a little shaping this could have really been great. Well worth seeing, but a bit of a missed opportunity, too. FRANKENSTEIN (2004) This is a serious two-part TV adaptation of the original Mary Shelly novel, with a story that's a far cry from the Universal and Hammer versions. A good looking film with a good cast (nice to see Donald Sutherland and William Hurt again) and said to be pretty faithful to the book. It's tragic, poignant and thought-provoking ...but also a bit head-scratching in some parts, like Frankenstein's sudden rejection of his creature. Apparently, so is the novel. One complaint: the monster's look is too tame. He's odd looking at worst, so the horrified reactions of the people that see him are a bit hard to buy.
If you're looking for gruesome horror, move along. But for a look at how the legend began, this is well-worth watching. CARRIE (2002) 1/2 Unpopular Opinion: This is a good film, and in at least one way, it's as good as the 1976 classic.
First the bad: Incredibly, this was a pilot for a Carrie TV series(!?) so it has a silly ending that allows the story to continue. The climax goes on too long, and it is loaded with CGI effects that haven't aged well at all - some are very bad indeed.
The good: Angela Bettis is absolutely excellent in the title role! To her credit, she plays it much differently than Sissy Spacek. Where Sissy inspires sympathy, Angela gives off a dangerous vibe. She's a time bomb, and it's obvious from the start that she's damaged and ready to blow. You feel for her but at the same time you fear her. In it's own way, it's every bit as good a performance as Sissy gave in the original. Many of the other roles (Tommy Ross, the gym teacher, Carrie's mother, and villain Chis Hargensen in particular) are also very good. The writing and flash-back structure are solid and effective.
Yes, the 1976 version is the best and a horror classic. But this film should be remembered as mostly very good TV horror. And despite it's flaws it should be seen, if only for Angela Bettis' excellent, and sadly overlooked, performance.
SCREAM, PRETTY PEGGY (1973) 1/2 Another 70s TV horror cheese-fest. A college student takes a house-keeping job at a creepy old mansion ...where she is warned to stay away from that LOCKED ROOM! (No prize for guessing where she ends up.) Entertaining junk, but the student is so annoying, I quickly found myself wishing the movie was called "Scram, Pushy Peggy!" This movie manages to rip off Jane Eyre, Psycho and House Of Wax without being as good as any of them. It's easy to guess where it's headed, but at least Bette Davis is on hand to look ancient and say rude things. A fun time-waster.
Last edited by charlieray1; 09-25-2024 at 04:00 PM.
9/24:
Duel (1971) *First time viewing*
An utter masterclass in suspense and tension from Steven Spielberg in his first feature film. It's bare bones but it gets a lot mileage (no pun intended) out of its simplicity and subtlety thanks to not just to Spielberg but also to the cinematography, stunt work, sound design and Dennis Weaver's awesome performance. As made-for-TV movies go, this has to be among the all time greats.
While I firmly believe the framework was set for modern slasher films in 1932 with the criminally forgotten cinematic treasure "Thirteen Women," "The Texas Chainsaw Massacre" infused all the gory little bits of flesh and blood that covered the skeletal structure. As far as I'm concerned, the opening visuals are some of the most striking to ever set the tone for terror. The film itself revolves around on screen brother and sister Paul A. Partain and Marilyn Burns who turn in authentic performances both during normal times of conversation and later times of screaming in fear. Edwin Neal makes an appropriately unsettling hitchhiker who gives an inkling of the degeneracy to come without spoiling the whole show.
I can't imagine someone sitting in a theater in 1974 watching Leatherface appear for the first time. That must have been a horrifying experience as he presented a completely new concept of insanity. Even now, though a multitude of other horror movie monsters have passed before our eyes, there's still an attraction to this iconic human-flesh-mask-wearing lunatic. The last thirty-six minutes of this film
[Show spoiler]are one long finale that keeps raising the level of shock with each different twist and turn. It's sick, it's twisted, it's bloody as hell, and I loved every minute of it. On that note, please stop sending me business cards for psychotherapists. I have a large enough collection of them already.
Tobe Hooper and Kim Henkel yanked audiences out of their doldrums and into a deranged nightmare many are still trying to wake up from!
½
I had the opportunity to watch this sequel a mere two months after I first viewed the original. For a seven-year-old, even one who was quickly becoming as well versed in the realms of horror as I, it was quite the experience. Like most good sequels, everything is sent into overdrive from the characterizations to the action to the gore. Even something as simple as the bridge confrontation between the party hardy students and the Sawyer family effectively stamps itself on the viewer's memory for a long time to come. Dennis Hopper being Dennis Hooper also elevates this second chapter, particularly during the scenes where he tests the chainsaws,
[Show spoiler]finds the decaying corpse of Franklin from the first film, and pretty much during the entire final fight where his idiosyncratic style works well opposite that of Leatherface.
The fact that he crafted both his 'Lefty' Enright character in this film and his Frank Booth persona in "Blue Velvet" within the same year is a testament to his indisputable skill.
Caroline Williams is
[Show spoiler]one of my favorite "final girls" of the eighties - even though she's really more of an "only girl" in this film -
and Bill Moseley actually creates an alarming identity that's equally as disturbing as Leatherface himself. His scenes in the radio station when Chop-Top and Leatherface go to kill Williams are incredible to watch. The Sawyer family's lair beneath the "Texas Battle Land" amusement park is a masterpiece of set design that really separates "The Texas Chainsaw Massacre Part 2" from the rest of the pack. No matter how good they are, a lot of eighties horror films felt like they shared the same kind of setting. But every once in a while, you'd get something unique like this that helped to keep the decade of ultimate dread fresh. The second installment isn't the classic the original film was, but it's still a really great piece that adds another enjoyable chapter to Leatherface's legacy. If only all of the sequels could have been this good.
½
When I was young, I never really expected a third "Texas Chainsaw Massacre" film to pop up any time soon. Honestly, I didn't think there needed to be a third chapter after the excellent finish to the second film. However when the money keeps rolling in, the studios will keep pouring out the movies, and so Leatherface would pull out his chainsaw again four brief years after "Part 2" hit theaters. Director Jeff Burr already had a small reputation in my household as the man who delivered Vincent Price's fun little horror film "From a Whisper to a Scream." Moving further into the nineties, he would become a staple of my video store rental days with such hot titles as "Pumpkinhead II: Blood Wings," "Night of the Scarecrow," and the fourth and fifth installments of the "Puppet Master" series - all of which were enjoyable films, up to a point. Here though, he's not given much to work with and it shows in his questionable directorial choices.
The two leads, Michelle and Ryan, are the kind of horror movie characters that are as dumb as they come. They never become likable enough to rank alongside characters such as Sally from the first film or Stretch from the second. Michelle's
[Show spoiler]transformation into a strong-willed shotgun-wielding "final girl" isn't convincing in the slightest.
Fortunately horror veteran Ken Foree adds much needed support as a survivalist that helps the stranded couple combat the Sawyer family. Unfortunately, his role isn't given nearly as much screen time as one would like. Young Viggo Mortensen makes an affably evil antagonist alongside R.A. Milhailoff's decent interpretation of Leatherface. Leather's squeaky leg brace is a nice touch in this film, serving as both a warning and an intimidation factor. Sadly Mama, Alfredo, Tinker and the little girl feel like pale imitations of past family members. This is a somewhat average sequel where the drop off in quality is noticeable but you can still be entertained by its messiness.
It's been a long time since I've watched this film. I think the last time was somewhere in the autumn of 2002, the year before the Michael Bay-produced remake was released. I'll be very honest, Kim Henkel may be the driving force behind the creation of "The Texas Chainsaw Massacre" but that doesn't mean he should have come back to the franchise. He is an incredibly poor director (this was his only attempt) and he has written a film that cannot even be considered a shadow of the original classic. It seems he used up all his best ideas in 1974 and is just running on fumes twenty years later.
Most of the characters are as flat as cardboard and even the usually reliable Renée Zellweger seems unsure of what to bring to her underwritten role. Matthew McConaughey is the only actor worth a damn in this film. His explosively demented personality overshadows everyone, including Robert Jacks' unbelievably inferior take on Leatherface. I was genuinely bored less than fifteen minutes into this film and it just didn't get any better. By the end, I didn't even care whether Zellweger lived or died and
[Show spoiler]the inclusion of an "Illuminati" style secret society that controls the family is utter absurdity that craps all over the legacy of a once scary franchise which is now circling the bottom of a toilet bowl, waiting to be flushed.
I hope I don't make the mistake of watching this film again in another two decades.
AND NOW A LITTLE CHAINSAW MUSIC:
(WARNING - POSSIBLE SPOILERS FOR "THE TEXAS CHAINSAW MASSACRE PART 2")
9/21 - Terrifier 2 -
Good follow up to the OG. Savage kills and the lead actress was fire! Cant wait to see part 3.
Maybe one day these films will sink in with me? To this point they have not and I tend to end up falling asleep trying to watch I get the draw to them and the character of Art but they don’t get my 💀❤️
MONSTERFEST 2024
Blue = blu-ray, * = first viewing
September Warm-upThe list so far:
[Show spoiler]
TV EPISODES
ROUTE 66: LIZARD'S LEG & OWLET'S WING (1962) 1/2 This Halloween episode itself isn't great, but it guest stars Boris Karloff, Lon Chaney Jr, and Peter Lorre. Chaney appears as the Hunchback (his dad's old role), the Mummy, and the Wolf Man. Karloff dons his Frankenstein monster make-up one last time. The story is nothing, but it's worth it to see these guys in something close to the make-ups that made them famous. Nostalgic fun. Cool blu-ray, with vintage horror commercials, a clip of Vampira, an episode of Suspense with Bela Lugosi, and two episodes of the Karlff show, The Veil. TWILIGHT ZONE: JESS-BELLE (1962) One of the best of the 1 hour episodes - a tale of witchcraft and a Were-cat. Great script by Earl Hamner, with a strong folk-tale favor. Really good. TWILIGHT ZONE: NIGHTMARE AT 20,000 FEET (1963) What a great Twilight Zone episode. A true TV-horror landmark. Shatner is GREAT in this. According to their titles, this flies 17,000 feet lower than the similarly titled movie above, but don't believe it. This soars miles above the competition. A stone-cold TZ classic, and a really fun capper to our Shatner-On-A-Plane double feature (with the TV movie The Horror At 37,000 Feet.) KOLCHAK: THE NIGHT STALKER - THE ZOMBIE The Zombie is one of the creepiest episodes of this series. In this one, Carl is investigating a crime involving voodoo and the reanimation of the dead. The climax, with our intrepid reporter desperately trying to fill the dead man's mouth and salt and sew it closed before it revives is pretty hair-raising. Fun to see this again. I think my wife and I will try to work the entire 1-season series into this year's Monsterfest.
MOVIES
THE SPELL (1977) 1/2 1970's TV movies appeal mainly to those of us that grew up with them. They have limitations on budget, FX, and gore, but to this former 70s kid they're cheesy fun. This one gets dismissed as a Carrie knock-off (though it was actually written before Carrie) but other than a few surface similarities they're not that much alike. The subject is witchcraft, not telekinesis, and the final revelation is far from Carrie's storyline. Over-all rather good for what it is. Well-acted with some effective moments and a fun surprise ending. WARNING: the Scream-Factory blu-ray only contains the extended version. Unfortunately, the additional scenes were obviously not part of the original movie. They add nothing, they're spliced crudely into the film, and the tagged on ending spoils the very satisfying original conclusion, and lowers my rating by 1/2 skull. I wish the added footage wasn't there, or was a bonus to the original film. *HORRORS OF THE BLACK MUSEUM (1959) 1/2 First time viewing this early slasher/gore flick. Not exactly good, but very entertaining! Michael Gough hams it up nicely, and if there are no surprises, there are plenty of smiles at this once-shocking film. Best remembered for those horrible loaded binoculars! LATE NIGHT WITH THE DEVIL[/B] (streaming) (2023) 1/2 Really clever, and very well-done! The recreation of the 70s TV show is totally convincing. It loses me a bit at the ending when the faux-documentary approach is suddenly abandoned. It turns quite dark and, IMO, a bit less fun. Still there's much to like here, and I loved it until the ending. *AFRAID (2024) (Theatrical) This is getting absolutely TERRIBLE reviews on Rotten Tomatoes, but my wife and I really enjoyed it. It's a bit silly in parts, but always engrossing, and very well-acted with convincing family relationships. It has a wonderful sense of paranoia, and it doesn't over-stay its welcome. Instead of endless climaxes, it comes to a swift, satisfying, and unsettling conclusion ...and stops. Bravo! Obviously I'm alone on this one, but I found it far more enjoyable than most theatrical horrors I have seen this year. I'm sure I'll add it to the collection when it comes out. *MOON OF THE WOLF (Streaming) 1972 Another of those 70s TV horrors, this time set in the Louisiana bayou and starring David Janssen as a southern sheriff. We had never seen it before, but despite a cool setting, decent story and good acting, it was just too tame. There's more investigation footage than werewolf action, and when the climax did come, it was undercut by weak werewolf make-up. It was fun for our September warm-up, but I doubt we'd watch it again. *THE PSYCHIC (1977) 1/2 First time viewing, and a pretty good film. It's one of those Italian productions where everyone is ridiculously overdressed and badly dubbed. The plot gets a bit murky in spots, but over-all this is quite enjoyable. Very suspenseful as different parts of our heroine's vision come to pass. Well worth watching! THE MUMMY (1932) One of the Founding Fathers of Fear. Moves a bit slower than some, but it's so well shot and edited. Basically an Egyptian-themed re-write of Dracula, with Van Sloan and Manners back in their Van Helsing/Harker roles, the Nubian servant for Renfield, Zita Johann in the Mina role and under the control of the monster. and an amulet replacing the cross. Probably not quite as strong as Frankenstein, but wonderful and still deserving of 5 skulls. DEAD CALM (1988) An impossibly young Nicole Kidman stuck at sea with bonkers Billy Zane, while Sam Neill fights to escape a watery would-be grave. Really quite a good thriller (after a completely unnecessary opening with the death of a child.) Good performances all around. The final moments lapse into been-there-done-that killer clichés, but it's so much fun getting there that it doesn't matter. A minor classic. DEMENTIA 13 (Director's Cut) (1963) I doubt anyone would call this a great film, but Francis Ford Coppola's directorial debut is certainly interesting. This print removes the silly "Dementia 13 test" prologue, and an additional murder added by another director at Roger Corman's insistence to pad the running time. While the story is a bit muddled, it's plain to see the potential of young Coppola. Some great shots and cool scenes. A fun, worthwhile curio. Wonderful print too! *SPEAK NO EVIL (2022) (On Shudder) I hated this film. We watched it in preparation for the remake opening this week, but now I doubt I'll even see it. The premise is fine (though the bombastic score screams "HORROR MOVIE!" before anything sinister even happens.) The behavior of our protagonists gets dumber as it goes, however the film doesn't really derail until the scenes at the end. At that point I was done with it. Why was this made? Not for the poorly developed characters. Not for the plot, which becomes nonsense half-way through when our heroes begin doing thing that NO ONE would ever do. Not for the back-story - there isn't one! No explanation at all for these people and what they do. That just leaves the pointless - and utterly tasteless - cruelty at the end. If watching suffering is all there is, count me out. This isn't entertainment. BAD RONALD (1974) 1/2 This is another of those fun, fondly remembered 70s TV movies, and one of the better ones! Ronald is an outcast kid who lives alone with his sick mother. He gets in trouble with the law, so mom helps hide him in a secret room in the house. Unfortunately mom dies, and Ronald is still hiding in the walls when a new family moves in. Hilarity ensues. If you grew up with these TV films and understand their limitations, make it 4 skulls - it's quite good for what it is. If you're too young to have been there, or have no patience for vintage cheese, you should probably just move along. A really fun film, and a remarkably good looking blu-ray! SOMETIMES THEY COME BACK (1991) This was a 1991 CBS TV movie, and despite a few cheesy elements (the campy "undead" makeup, occasionally cringy dialogue) it's a favorite of mine. It's an engrossing story, mostly well-acted, and ends on a surprisingly bitter-sweet note. I really enjoyed it! Only complaint: why is this in the 2:35 aspect ratio? It was filmed and shown at 4:3. The German Koch Media release blu-ray offers 2 versions - in 1:78 and 2:35. 2:35 it's way too tight, with lots of heads cut off at the top and the chin. Annoying! (NOTE: After writing this, I bit the bullet and bought the German release. MUCH better! The framing looks much more natural at 1:78.) *BURIED ALIVE (1990) 1/2 My wife and I have been on a vintage TV movie kick this month, and this was a fun new discovery! Frank Darabont directed it - it was his very first film - for the USA Network. Tim Matheson gets bumped off (almost!) by his cheating wife, and wakes up to find himself ...wait for it ... Buried Alive. I assumed the movie would be a survival flick about his attempt to escape, but no. He was out fairly quickly and the films heads in a completely unexpected direction. It's becomes a campy, comic book-style story that would have fit in well in Creepshow. The second half may not be very realistic, but it's a lot of fun. Great final scene! A really enjoyable blind buy. Good blu-ray from Kino. TRILOGY OF TERROR (1975) 1/2 This landmark TV horror movie gave school kids the screaming meemies for weeks after it aired. No one who saw it then has every forgotten it. It's made up of three stories, all starring Karen Black, who is quite good throughout. The first story, about date rape(!) is tame, but pretty good with a nice twist at the end. 3.5 skulls. The second, a tale of 2 sisters, is obvious and forgettable and would score a 2 at best. However, it's the final story - about a "Zuni fetish doll" - that this film is remembered for. It starts quietly, but once it gets going it's frantically paced and relentless in it's tale of survival between a woman and the action figure from Hell. Unlike anything ever produced for TV up until that time, and still very effective. A solid 5 skulls. That story alone made this film a must-see. *TRILOGY OF TERROR 2 (1996) I had never seen this sequel before, and never even knew it existed until recently. Producer Dan Curtis (Dark Shadows) is back with 3 more stories, this time all featuring Lysette Anthony ...who proves that she is no Karen Black by ranging from poor to just adequate in her three starring roles.
For me, the first story - a tale of infidelity and grave robbery - is the best. The climax features some very nasty inhabitants of the graveyard, and if they're not exactly realistic looking, they work, and had me squirming in my seat. 4 skulls. The second story, of resurrection from the grave, has the poorest acting of the three and would get a 3 at best. The third was perhaps the biggest disappointment. It's a direct sequel to the original Zuni Fetish Doll story, but it offers nothing new. After an adequate set-up it's basically a remake and even copies the original's suitcase scene note for note. Maybe 3 skulls. A fun film, but other than the first gruesome tale, it's no threat to the original. *SPEAK NO EVIL (2024) 1/2 My wife and I watched the original Danish version a few days ago, and hated it. While the premise was great, the ending was so dark, ugly and pointless that it completely wiped out the fun of the film. After reading that this version ended differently, we gave it a chance. Very different animal! Where the original is more "serious" and dark, this is a popcorn thriller. Unfortunately, like many modern popcorn flicks, it didn't know when to stop and had a silly, over-baked climax, but it was still a good time at the movies. It might not be "art" (though McAvoy is excellent) but it's fun. Many will prefer the more brutal original, but we came out of this one smiling instead of depressed. Mission accomplished. *ANTS (aka IT HAPPENED AT LAKEWOOD MANOR) (1977) 1/2 This is one of those films they always had at Blockbuster (the cover was a close-up of Suzanne Somers' cleavage, covered with ants, remember?) Finally saw it, as part of our Ant Attack double feature. Typical 70s TV eco-horror, and a lot of fun. A quaint lakeside hotel does some reconstruction and unleashes a colony of mutant, poison-injecting ants on the guests. (They're gonna hate their Yelp reviews.) Campy fun, with a lot of effects that were never meant to be seen in high-def. Still, a lot of scenes made me squirm. How did Myrna Loy end up in this, along with all those familiar 70s TV actors? Suzanne Somers is an eyeful! Surprisingly for a Kino release, the picture quality was a bit disappointing - clean, and in a choice of two aspect ratios, but waaay too bright looking. THEM! (1953) All-time 50s Sci-Fi classic. Humorously, the film takes great pains to present all the opening unexplained deaths as a mystery ...despite the movie poster and trailer featuring tons of giant ants carrying screaming people away! Look fast for young Leonard Nimoy in an early role. A terrific, suspenseful film, really well-written and acted, with wonderful footage of mid-50s Los Angeles. Easily the best of the "big bug" movies. *FEAR NO EVIL (1969) This movie was a real surprise! It's early for a TV movie - in fact it was the very first ever NBC "Movie Of The Week". Unlike many TV films from the era, it's not cheesey in the slightest. In fact, it's remarkably serious, and quite good. It's definitely a slow-burn film (and maybe a little talky) but the atmosphere is excellent, the acting is quite good and story is intelligent. It's also subtle - we had to rewatch the ending before we picked up an important detail that expalins the action in the climax. Great performance from Carol O'Conner in a small but important role. This was a blind buy, but it's definitely a film I am looking forward to watching again. COUNT DRACULA (DVD) (1977) Dracula gets the BBC Masterpiece Theatre treatment. A really excellent adaptation! It has it's flaws - it was shot on video tape so the picture quality is poor, and special effects shots consist mainly of garishly colored negative images. But story is everything, and it really shines in that department. It's closer to the book than most versions, and includes many bits that are usually left out. Jordan is used sparingly, but he makes a cold, cruel and intelligent Dracula. Renfield and Van Helsing (Frank Finley) are both excellent. (On the other hand, the English actor playing Quincy has a laugh-out-loud bad "Texas accent.")
It's low-tech and soft looking, but truly chilling and even disturbing in parts. For story and atmosphere, I would rank this among the very best adaptations of Dracula. THE HORROR AT 37,000 FEET (DVD) (1973) 1/2 This is the TV movie where former series stars went to die. William Shatner (Kirk!) Buddy Ebsen (Jed!) Russell Johnson (Professor!) Chuck Connors (The Rifleman!) Roy Thinnes (The Invaders!) and other fading stars are stuck on a plane with an evil Druid whatzit that causes freezing temperatures, oozes green glop and makes the plane stand still in mid-air! Before long the passengers are at each other's throats and arguing about who gets to be tonight's human sacrifice. Only alcoholic, defrocked priest Bill Shatner can save us all! This epic may smell as bad as last weeks fish, but it's so much fun. A one-skull cheese-fest with 5-skull entertainment - I'll call it 3 1/2. A must see! *RITUAL OF EVIL (1970) 1/2 What a difference a year makes! This is the sequel to 1969's Fear No Evil. Both films were pilots to a proposed series called Bedeviled, to star Louis Jordan as a psychiatrist battling the occult. The first film (which we just saw for the first time) is intelligent, subtle and creepy, and it ranks among the best of vintage TV horror films. This sequel is talky, muddled and lackluster. Where the first film slowly built in suspense to a great climax, this one meanders along without ever building to much of anything. Enjoyable enough for one viewing, but a real letdown after the excellent first film. *THE SAVAGE BEES (YouTube) (1976) 1/2 Not bad little 70s TV eco-horror, and not nearly as cheesy as I expected. It turned out to be a decent film with a number of tense scenes, and a memorable climax featuring a bee-covered Volkswagen slowly driving through New Orleans to the Super Dome. Soft and choppy print that may have been missing a few shots, judging by the continuity. We watched it because we have a blu-ray of the sequel, and wanted to see the original film first. *TERROR OUT THE SKY (1977) A "more of the same" sequel with some good moments. It spends way too much time on a "who cares?" romantic triangle, but the bee attacks are good, and the ending was strong, and surpisingly, a little poignant. Still, if Kino was only going to put one of these films on blu-ray, the first film would have been the better choice. DARK NIGHT OF THE SCARECROW (1981) This TV movie came out during the slasher film craze, and while TV standards kept the gore off screen, it's a surprisingly well done entry in the genre. It's also the first (and probably the best) of the few killer scarecrow movies that have been made over the years. The acting is strong, the mood is eerie and the death scenes, while bloodless, are suspenseful and really well ...executed. (Thank you, I'll be here all week!) This film is a little gem among vintage TV horrors, and the VCI blu-ray is really excellent! *NEVER LET GO (Theatrical) (2024) 1/2 This film is kind of a mixed bag for me. On the plus side it's atmospheric, original, and very well acted (the two boys are really excellent.) But it couldn't seem to make up it's mind about the reality of what we see. It's not merely ambiguous, it shows things that contradict each other, as though the filmmakers wanted to have it both ways, and for me, that didn't work. My wife liked it more than I did and gave it the extra half-skull, but we both agreed that with a little shaping this could have really been great. Well worth seeing, but a bit of a missed opportunity, too. FRANKENSTEIN (2004) This is a serious two-part TV adaptation of the original Mary Shelly novel, with a story that's a far cry from the Universal and Hammer versions. A good looking film with a good cast (nice to see Donald Sutherland and William Hurt again) and said to be pretty faithful to the book. It's tragic, poignant and thought-provoking ...but also a bit head-scratching in some parts, like Frankenstein's sudden rejection of his creature. Apparently, so is the novel. One complaint: the monster's look is too tame. He's odd looking at worst, so the horrified reactions of the people that see him are a bit hard to buy.
If you're looking for gruesome horror, move along. But for a look at how the legend began, this is well-worth watching. CARRIE (2002) 1/2 Unpopular Opinion: This is a good film, and in at least one way, it's as good as the 1976 classic.
First the bad: Incredibly, this was a pilot for a Carrie TV series(!?) so it has a silly ending that allows the story to continue. The climax goes on too long, and it is loaded with CGI effects that haven't aged well at all - some are very bad indeed.
The good: Angela Bettis is absolutely excellent in the title role! To her credit, she plays it much differently than Sissy Spacek. Where Sissy inspires sympathy, Angela gives off a dangerous vibe. She's a time bomb, and it's obvious from the start that she's damaged and ready to blow. You feel for her but at the same time you fear her. In it's own way, it's every bit as good a performance as Sissy gave in the original. Many of the other roles (in particular, Tommy Ross, the gym teacher, Carrie's mother, and villain Chis Hargensen) are also very good. The writing and flash-back structure are solid and effective.
Yes, the 1976 version is the best and a horror classic. But this film should be remembered as mostly very good TV horror. And despite it's flaws it should be seen, if only for Angela Bettis' excellent, and sadly overlooked, performance. SCREAM, PRETTY PEGGY (1973) 1/2 Another 70s TV horror cheese-fest. A college student takes a house-keeping job at a creepy old mansion ...where she is warned to stay away from that LOCKED ROOM! (No prize for guessing where she ends up.) Entertaining junk, but the student is so annoying, I quickly found myself wishing the movie was called "Scram, Pushy Peggy!" This movie manages to rip off Jane Eyre, Psycho and House Of Wax without being as good as any of them. It's easy to guess where it's headed, but at least Bette Davis is on hand to look ancient and say rude things. A fun time-waster.
DON'T BE AFRAID OF THE DARK (1973) This is one of two 70s TV movies (along with Trilogy Of Terror) that absolutely terrorized kids when they first aired. This one came first. It's a low budget, two-week wonder, directed by John Newland - the host of One Step Beyond. Kim Darby unbolts a forgotten little door in her old house, and accidentally releases the tiny creatures that have been waiting inside. The miniature sets and props used to make the creatures appear small work very well, and no kid that saw it then has ever forgotten the whispering voices echoing through the house. Seeing it as an adult, it's interesting to note the strong theme of women being dismissed as "emotional" and kept in their place by the men in their lives. Surprising social commentary for a cheap monster movie. A really fun, spooky film and an all-time favorite.
Last edited by charlieray1; 09-25-2024 at 05:53 PM.
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I get the draw to them and the character of Art but they don’t get my 💀❤️
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