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View Poll Results: Rate Inception (Public Poll; Rate AFTER seeing it)
One Star 6 0.95%
Two Stars 15 2.38%
Three Stars 30 4.76%
Four Stars 139 22.06%
Five Stars 440 69.84%
Voters: 630. You may not vote on this poll

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Old 07-29-2010, 11:53 AM   #2161
Petra_Kalbrain Petra_Kalbrain is offline
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Quote:
Originally Posted by Lopan View Post
PETRA seems to be one of the few people on this thread that seems to get and understand the concept of this movie. Everything is explained and laid out for you with an ending that does not need to be spelled out to people.
I loved it the first time and it was even better the second time. If a movie gets people talking and disscussing like this then the director has done his job.
I salute you Lopan.
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Old 07-29-2010, 01:08 PM   #2162
radagast radagast is offline
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Originally Posted by Lopan View Post
PETRA seems to be one of the few people on this thread that seems to get and understand the concept of this movie.
So start a fan club.

However, I'm one of those pesky people that insists that reality exists. So even though the point of the movie is
[Show spoiler]Cobb's guilt and self-forgiveness, and Nolan decided to give the movie an ambiguous ending, the pesky question is do his children get their father back? Does he REALLY go back to them or is he going to be eternally involved in mental onanism?

There ARE clues. Now I realize that psychologically, people to recognize the clues that support the conclusion they want and ignore the contrary clues, but really, after seeing it again, I think the clues point to
[Show spoiler]Cobb and Saito escaping limbo.

Last edited by radagast; 07-29-2010 at 01:12 PM.
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Old 07-29-2010, 01:13 PM   #2163
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The 18th of September I'll finally see Inception.

Apparently incompetent people run our theater, they knew NOTHING about this movie, I mean how!!??!?!?!??!?!??!
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Old 07-29-2010, 01:16 PM   #2164
Petra_Kalbrain Petra_Kalbrain is offline
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Originally Posted by radagast View Post
So start a fan club.

However, I'm one of those pesky people that insists that reality exists. So even though the point of the movie was
[Show spoiler]Cobb's guilt and self-forgiveness, and Nolan decided to give the movie an ambiguous ending, the pesky question is do his children get their father back? Does he REALLY go back to them or is he going to be eternally involved in mental onanism?

There ARE clues. Now I realize that psychologically, people to recognize the clues that support the conclusion they want and ignore the contrary clues, but really, after seeing it again, I think the clues point to
[Show spoiler]Cobb and Saito escaping limbo.
Ok. Let me clear something up regarding my perspective on the film.

[Show spoiler]I clearly do believe, without a single doubt, that Cobb escapes all dreamspaces. He returns to reality and reunites with his children. There is no question of that in my mind. HOWEVER, that doesn't negate the fact that I also am aware that I wouldn't feel any differently if it were the other way around. Cobb completed his journey when he confronted and denied his guilt personified. That is when the film actually ended for me. The rest was just fluff to seemingly tie-up loose ends for the sake of a modern audience not rejecting the film.
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Old 07-29-2010, 01:22 PM   #2165
radagast radagast is offline
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Quote:
Originally Posted by Petra_Kalbrain View Post
Ok. Let me clear something up regarding my perspective on the film.

[Show spoiler]I clearly do believe, without a single doubt, that Cobb escapes all dreamspaces. He returns to reality and reunites with his children. There is no question of that in my mind. HOWEVER, that doesn't negate the fact that I also am aware that I wouldn't feel any differently if it were the other way around. Cobb completed his journey when he confronted and denied his guilt personified. That is when the film actually ended for me. The rest was just fluff to seemingly tie-up loose ends for the sake of a modern audience not rejecting the film.
I'm not sure I agree entirely. Nolan didn't make it absolutely clear. He DID make it ambigous enough that people could take it either way. So I don't see the ending as fluff, when you don't see what
[Show spoiler]Saito does with the gun, or see the totem fall over.
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Old 07-29-2010, 02:06 PM   #2166
mjbethancourt mjbethancourt is offline
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Quote:
Originally Posted by Petra_Kalbrain View Post
Ok. Let me clear something up regarding my perspective on the film.

[Show spoiler]I clearly do believe, without a single doubt, that Cobb escapes all dreamspaces. He returns to reality and reunites with his children. There is no question of that in my mind. HOWEVER, that doesn't negate the fact that I also am aware that I wouldn't feel any differently if it were the other way around. Cobb completed his journey when he confronted and denied his guilt personified. That is when the film actually ended for me. The rest was just fluff to seemingly tie-up loose ends for the sake of a modern audience not rejecting the film.
I agree with that, too.
[Show spoiler]I think the basic indication is that he did get everything back to normal. I think the intentional ambiguity is just an artistic flourish to make a point, that the mundane details are not important, what's really important is that Cobb is at peace. The closing shot of the top, I believe, is just a comment that getting back to his children had been his dream, which has then come true.

Last edited by mjbethancourt; 07-29-2010 at 02:28 PM.
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Old 07-29-2010, 03:47 PM   #2167
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Originally Posted by sheeraz View Post
Hypnotically haunting in the sense that it would have been better to watch the movie with ear plugs. Honestly, at some points I couldn't even hear what the characters were saying, the music was so loud. If you can scratch a piece of metal against another for two and a half hours what you get is Inception's soundtrack.
That was a quote from an article.

You know, Hans Zimmer writes a score, he doesnt mix the soundtrack, so dont blame him.
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Old 07-29-2010, 03:49 PM   #2168
lDlisturb3d lDlisturb3d is offline
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Quote:
Originally Posted by Lopan View Post
PETRA seems to be one of the few people on this thread that seems to get and understand the concept of this movie. Everything is explained and laid out for you with an ending that does not need to be spelled out to people.
I loved it the first time and it was even better the second time. If a movie gets people talking and disscussing like this then the director has done his job.
You are 100% Correct buddy
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Old 07-29-2010, 05:51 PM   #2169
Mike53421 Mike53421 is offline
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Was just gonna pop my head in for the first time in a week or so to point out how the soundtrack remains awesome. Turns out it's sort of on-topic!
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Old 07-29-2010, 09:59 PM   #2170
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Everyone only seems to think that Cobb's story was the focus of the movie which is fine. But am I the only one here that watched it and cared only on their mission? When they "did it" and the very climatic "kick" at the end, I just wanted to get up and cheer (same feeling of Star Wars: A New Hope ending) They busted their asses but got the job done and C. Murphy's scene was a tear jerker.
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Old 07-29-2010, 10:52 PM   #2171
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Quote:
Originally Posted by Lopan View Post
Everyone only seems to think that Cobb's story was the focus of the movie which is fine. But am I the only one here that watched it and cared only on their mission? When they "did it" and the very climatic "kick" at the end, I just wanted to get up and cheer (same feeling of Star Wars: A New Hope ending) They busted their asses but got the job done and C. Murphy's scene was a tear jerker.
Absolutely. The first time I watched it I felt the same way. It's kind of interesting because after that first viewing I had this insatiable feeling that I had missed something though. Thus the reason that I couldn't sleep and had to go back and see it again within 24 hours. Upon the second viewing is when I came to realize what the film was really about.

If you think about it, it's really kind of brilliant. With Inception, Nolan kind of
[Show spoiler] pulled a Prestige on the viewers in a way. He makes the story "the pledge" while the character of Cobb turns out to be both "the turn" AND "the prestige." Not sure if I'm explaining myself properly with that statement. Basically, I'm referring to the notion that Nolan crafted Inception to have a "slight of hand" quality about it that has some viewers mistaken about what his real intentions were.
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Old 07-29-2010, 11:14 PM   #2172
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72,000 votes later, Inception is still number 3 on IMDB
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Old 07-29-2010, 11:15 PM   #2173
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Originally Posted by lDlisturb3d View Post
72,000 votes later, Inception is still number 3 on IMDB
so, Inception is the flavor of the month, it'll move down.
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Old 07-29-2010, 11:17 PM   #2174
lDlisturb3d lDlisturb3d is offline
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so, Inception is the flavor of the month, it'll move down.
Yeah. It will always be top 10
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Old 07-29-2010, 11:27 PM   #2175
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Originally Posted by Petra_Kalbrain View Post
Absolutely. The first time I watched it I felt the same way. It's kind of interesting because after that first viewing I had this insatiable feeling that I had missed something though. Thus the reason that I couldn't sleep and had to go back and see it again within 24 hours. Upon the second viewing is when I came to realize what the film was really about.

If you think about it, it's really kind of brilliant. With Inception, Nolan kind of
[Show spoiler] pulled a Prestige on the viewers in a way. He makes the story "the pledge" while the character of Cobb turns out to be both "the turn" AND "the prestige." Not sure if I'm explaining myself properly with that statement. Basically, I'm referring to the notion that Nolan crafted Inception to have a "slight of hand" quality about it that has some viewers mistaken about what his real intentions were.
There is nothing sleight of hand (IMO) about this movie. It is very straight forward and kind of cerebral. The only iffy part is the end but actually that is basic too. I find no ambiguity. Then again I have seen it 6 times. If you pay attention the second time everything is quite clear. Through dialog you are pretty much spoon fed the answers, but the first time you see it you do not hear it.
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Old 07-30-2010, 12:29 AM   #2176
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Quote:
Originally Posted by Buddy Christ View Post
There is nothing sleight of hand (IMO) about this movie. It is very straight forward and kind of cerebral. The only iffy part is the end but actually that is basic too. I find no ambiguity. Then again I have seen it 6 times. If you pay attention the second time everything is quite clear. Through dialog you are pretty much spoon fed the answers, but the first time you see it you do not hear it.
I'm not talking story. I'm talking about the nature of the film.
[Show spoiler]Nolan makes everyone think the film is about his character trying to get home to his kids when, upon further inspection, the film is more about Cobb dealing with his guilt.
That is where I apply the sleight of hand aspect. He makes you focus on the surface presentation while there is something much deeper going on "out of direct sight."
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Old 07-30-2010, 12:49 AM   #2177
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Originally Posted by Petra_Kalbrain View Post
I'm not talking story. I'm talking about the nature of the film.
[Show spoiler]Nolan makes everyone think the film is about his character trying to get home to his kids when, upon further inspection, the film is more about Cobb dealing with his guilt.
That is where I apply the sleight of hand aspect. He makes you focus on the surface presentation while there is something much deeper going on "out of direct sight."
Classic Nolan misdirection, a concept narrated in 'The Prestige': every good magic trick depends on drawing your attention to the wrong thing. Problem is, it seems to have rubbed some of the more unimaginative viewers the wrong way.
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Old 07-30-2010, 01:24 AM   #2178
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Originally Posted by mjbethancourt View Post
Classic Nolan misdirection, a concept narrated in 'The Prestige': every good magic trick depends on drawing your attention to the wrong thing. Problem is, it seems to have rubbed some of the more unimaginative viewers the wrong way.
Ya. That's what I've been saying.
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Old 07-30-2010, 02:11 AM   #2179
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Quote:
Originally Posted by Petra_Kalbrain View Post
I'm not talking story. I'm talking about the nature of the film.
[Show spoiler]Nolan makes everyone think the film is about his character trying to get home to his kids when, upon further inspection, the film is more about Cobb dealing with his guilt.
That is where I apply the sleight of hand aspect. He makes you focus on the surface presentation while there is something much deeper going on "out of direct sight."
[Show spoiler] No! The story IS about him trying to see his kids. That is Cobbs motivation. Though his struggle to deal with his guilt about his wife is VERY essential to the story, it is not what drives him. If not for the will to see his children, Cobb would just accept Mal and go on. But because his need to see and be with his children is so strong, THEN he sees he must confront his demon in Mal.

So...It is a story of a man who is trying to get home, but like so many other classic stories, he must firs overcome a major obstacle..himself.
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Old 07-30-2010, 02:16 AM   #2180
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Originally Posted by lDlisturb3d View Post
72,000 votes later, Inception is still number 3 on IMDB
IMO it does not deserve to be number 3 but it does deserve a spot in the top 25. Personally, it would fall somewhere in my top 25 but not no. 3. That's just my opinion of course.
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