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#461 |
Blu-ray Champion
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Has no one considered that they could have done what they did with the Jaws remaster and replaced the sound effects with those from their original mix?
Even if it does not have the mono it could sound very close effect wise or has someone seen the new disc and confirmed its the exact same track? |
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#462 | |
Expert Member
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#463 | |
Senior Member
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But what you are describing does sound very off, I guess I have to recheck the DVD. ![]() |
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#464 | |||
Blu-ray Samurai
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In the case of Jaws, they did not use the original foley effects in the new 7.1 mix. Some stuff sounds better but most of it is the same as the 5.1 DVD mix. Usually what happens is because the foley track is just studio stock effects it is often not preserved, and the reason they go and make new effects for a remix is because the original foley track no longer exists. The original sound effects only exist as part of the full mono track itself, and it isn't possible to isolate the effects from the mono track and move them about the sound space. If that is the case with The Terminator, then I doubt we'll ever see a remix that uses the original effects. They COULD try and recreate them more closely to the original, but the old remix and the German article shows they are too lazy for that. Here's an example of a foley change in the new mix, there are tons of examples throughout the film but this is the only one I can find on youtube: MONO REMIX Don't worry, they didn't go as far to change Arnie's voice in the remix, it's just a foreign dub. Still, the new gun sound effect is present in the English 5.1 |
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#465 | |
Blu-ray Samurai
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Here's another example I've found.
The tech noir shootout. Just about everything is changed here MONO REMIX http://www.youtube.com/watch?v=fJjYk...tailpage#t=90s New gun sound effects is one thing but do they really have to make them sound so wimpy and pathetic? Arnie's machine gun sounds no different to a toy gun my younger brother has. How hard is it to use the mono as a reference? Then there's the little things. When Arnie gets up after being blown through the window, the glass crunching under him is barely audible. It's probably not an altered effect but goes to show how poorly matched to the mono the track is. If you're sat there listening to the 5.1, lossless or no, thinking you've got some wall shaking action track going on, you need to switch over to the mono. It packs so much more punch, and any half decent sound set up will prove I'm right. The remix will obviously have greater fidelity but no amount can make toy gun effects sound like the real deal. Last edited by EddieLarkin; 08-26-2012 at 12:56 PM. |
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#466 | |
Blu-ray Samurai
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![]() It would be nice if the original mono track was included, but i don't really care if it's not... Besides, how do you know this new DTS-HD MA 5.1 track doesn't include the old sound effects? Did you already watch it? How did you get the steelbook so soon? If the track is indeed not included here, then it probably never be. Get over it. Last edited by insomniac013; 08-26-2012 at 01:16 PM. |
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#467 | |
Blu-ray Ninja
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I've seen the film with the 5.1 track so many times now that the lack of mono honestly doesn't bother me now. Sure I'd love it to be included because I do think it's much, much better, but it's one of those things fans fuss too much over. ![]() |
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#468 |
Blu-ray Emperor
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Pfft. The 5.1 mix is not the same film that I love. Simple as that.
As for Tech Noir, when the action slows down the music gets this funky reverb thing going on which sounds awesome in the mono mix, but in the 5.1 it's also piped through the rears whereupon they added even more delay to it, so it sounds horribly false and gimmicky. If that's all people know the film by then good for them. But it's not too much to ask to have a film sounding like I (and many others) know it, seeing as the movie was around for the best part of two decades before they decided to **** with it. And we're not asking for heroic measures, just the inclusion of a mono mix that would take up a tiny fraction of Blu-ray's 50GB capacity. If we seem unnecessarily agitated it's because this would be so SIMPLE for the studios to do, but they just don't want to know. Last edited by Geoff D; 08-26-2012 at 01:24 PM. |
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#469 | ||
Blu-ray Samurai
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Compared to the tech noir scene, the Sarah Connor? scene seems pretty minor. Give that one a listen if you haven't already.
But maybe this, in my opinion, even greater offender will convince even the most blinded 5.1 defenders: MONO REMIX Ignoring the completely pathetic collision and explosion effects, and the brand new "fire hiss" that occurs when the flames cover the garbage bin that Reese is hiding in, there is an actual music cue missing in this example. As the fuse on the pipe bomb draws closer and closer to detonating, the whining effect of the music track builds to a crescendo and ceases once the bomb explodes. This entire effect and its build up is completely absent from the new mix. It's gone. There's nothing there now. I don't want to start insulting people, but anyone who knows anything about how important the soundtrack of a film is and how it effects your experience of the film, should be pretty shocked at this omission. That crescendo is a deliberate attempt by the director or the sound designer to evoke tension and anticipation in the viewer. Just to be clear to insomniac013, all these new effects and changes have little to do with Cameron himself. I imagine he had nothing to do with them, and in fact I believe he pushed for the original mono to be included on the old DVD when originally it never was going to be. This is studio/production meddling, not George Lucas "updating" his vision meddling. So to remove this part of the sound design should be pretty offensive even to people who are completely used to the 5.1, or have never heard the mono. Of course I don't know that a new 5.1 mix (if indeed it is "new") will not include the new effects, but I've already explained why this is highly unlikely. I'm still entertaining the possibility they might include the mono (though I think it's more likely to appear on a future US release rather than this UK release). If not, as stated before I'm perfectly happy with my DVD. |
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#470 | |
Blu-ray Samurai
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Besides: I think you're being a bit hypocritical, talking about preserving original sound effects and such, while owning the Star Wars BD collection - Pretty much the worst release for ****ing classics up ever! ![]() ![]() |
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#471 | |
Blu-ray Emperor
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The point isn't so much that it's been remixed, but that it's been remixed very, very badly. So you can stick your hypocrisy where the sun don't shine. |
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#472 | |
Banned
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Last edited by Cevolution; 08-26-2012 at 01:58 PM. Reason: Made a change to the last sentence. |
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#473 | |
Blu-ray Samurai
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#474 | |
Blu-ray Samurai
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And even faithful sound effects wouldn't change the many other instances of meddling, one of which I've posted above. The whole practice of taking a mono track and making it surround always leads to stuff like this, some minor, some major. |
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#475 |
Blu-ray Samurai
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A while back I put the lossless LPCM track from the Laserdisc in complete synch with the Blu-ray for this movie, not sure if the UK version is exactly the same in length as the US BD though because I did not have it to check, but if it is different because of different intros and such wouldn't be to much to fix for the UK version as well.
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#476 | |
Blu-ray Samurai
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We have little else to go on. |
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#477 | |
Banned
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#478 |
Blu-ray Samurai
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I see what you mean. I can understand why that would please a lot of people, but to me an alteration is an alteration, whether it's good or bad. Personally I don't even like the idea of experiencing a film in surround when it was mono in theatres. Perhaps in this case my nitpicking is unjustified, but I'll always stand by my hate of The Terminator 5.1
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