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Old 03-26-2013, 04:05 PM   #31781
surfdude12 surfdude12 is offline
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Originally Posted by Abdrewes View Post
Squid, get yer Army pals 'n' review Pearl Harbor, I'm sure you'll have a field day.
+1

everyone knows that only the romance love triangle exuded vintage realism
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Old 03-26-2013, 09:26 PM   #31782
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Might try and watch either The Devil's Rejects or Saw tonight. I'm with the girlfriend so the former might be a bit too extreme for her, but I'm hoping to charm her round to the idea.
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Old 03-26-2013, 09:39 PM   #31783
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Quote:
Originally Posted by Abdrewes View Post
Evil Dead 2's one of my favorite films, but I can't muster up any enthusiasm for this
Same, but I'm starting to get a little interested now.

Quote:
Originally Posted by jvince View Post


Evil Dead (2013)
dir. Fede Alvarez
The Good: Jane Levy... what an amazing performance. Lou Taylor Pucci is also great in his supporting role. Lots and lots of gore (It even rains blood at one point). The various bodily dismemberments. The middle portion and the final act. Some pretty effective build-ups. Nice nods to the original trilogy.

The Bad: Stupid characters. Mediocre supporting cast, especially Shiloh Fernandez. Writing and character development leaves a lots to be desired. Slow, uninteresting start. Hits a snag towards the end. Fails to sustain ominous tension. Underwhelming and awfully short post-credits scene (but hardcore fans may get a kick out of it).

The Bottom Line: Terrifying? No (unless you're a total p*ssy). Gross? Sure, but far from being the most sickening out there. No charm, moderate fun, all gore. Forget the hype. It's certainly no landmark horror flick, it's simply a respectable effort.

But, the stuff you've mentioned here sounds like a lot of the issues I had with the first draft script (characters being dumb and boring, the opening dragging). Also, what happens in the groovy post credit scene.
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Old 03-26-2013, 09:45 PM   #31784
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Quote:
Originally Posted by jvince View Post


Evil Dead (2013)
dir. Fede Alvarez
The Good: Jane Levy... what an amazing performance. Lou Taylor Pucci is also great in his supporting role. Lots and lots of gore (It even rains blood at one point). The various bodily dismemberments. The middle portion and the final act. Some pretty effective build-ups. Nice nods to the original trilogy.

The Bad: Stupid characters. Mediocre supporting cast, especially Shiloh Fernandez. Writing and character development leaves a lots to be desired. Slow, uninteresting start. Hits a snag towards the end. Fails to sustain ominous tension. Underwhelming and awfully short post-credits scene (but hardcore fans may get a kick out of it).

The Bottom Line: Terrifying? No (unless you're a total p*ssy). Gross? Sure, but far from being the most sickening out there. No charm, moderate fun, all gore. Forget the hype. It's certainly no landmark horror flick, it's simply a respectable effort.

I now feel slightly underwhelmed, jvince . I was looking forward to this being the goriest and most terrifying horror film released in decades, and it doesn't appear to be that way (although part of me knew that ). You give recommendation enough, though, so I definitely will be checking it out.
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Old 03-26-2013, 10:59 PM   #31785
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I tried to respond to your PM but I got this message...

Quote:
surfdude12 has exceeded their stored private messages quota and cannot accept further messages until they clear some space.
So, to answer your question, no, I dont want to see pictures of your French manicure, pedicure, and your Brazilian bikini wax. And just because the Salon puts little umbrellas in the drinks, that aint enough reason for me to have a Man Date with you.



Dump some of your old PMs Bro.
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Old 03-26-2013, 11:05 PM   #31786
surfdude12 surfdude12 is offline
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Originally Posted by SquidPuppet View Post
I tried to respond to your PM but I got this message...



So, to answer your question, no, I dont want to see pictures of your French manicure, pedicure, and your Brazilian bikini wax. And just because the Salon puts little umbrellas in the drinks, that aint enough reason for me to have a Man Date with you.



Dump some of your old PMs Bro.
dude! remember we agreed to keep this on the DL!!!



I just did dump a TON of messages. I'm like a PM hoarder. Ironic, since I pride myself in being an "anti-hoarder" in real life. I use the "have I used this in the last month?" test when I pick stuff up at my house. If the answer is "no" = TRASH

makes a small house SEEM bigger when you have less stuff. meanwhile, my buddy just had his second kid and said he "must" move out of his "tiny" 2200 sq ft where him and his wife are "bursting at the seams", to live in a 3800 sq ft. I'm like "uh, I can help you throw sh!t out bro"
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Old 03-26-2013, 11:15 PM   #31787
SquidPuppet SquidPuppet is offline
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Quote:
Originally Posted by surfdude12 View Post
dude! remember we agreed to keep this on the DL!!!

Oops. Sorry man.

Quote:
I just did dump a TON of messages. I'm like a PM hoarder. Ironic, since I pride myself in being an "anti-hoarder" in real life. I use the "have I used this in the last month?" test when I pick stuff up at my house. If the answer is "no" = TRASH

makes a small house SEEM bigger when you have less stuff. meanwhile, my buddy just had his second kid and said he "must" move out of his "tiny" 2200 sq ft where him and his wife are "bursting at the seams", to live in a 3800 sq ft. I'm like "uh, I can help you throw sh!t out bro"
I'm with you. Minimalist all the way.

My Dad has a detached 1,000 square foot shop for "tinkering". I wont go in it. Period. What a waste. Drives my Mom nuts. I've done exstensive reading on Compulsive Hoarding and even the modern shrink community is at a loss on how to treat it.
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Old 03-27-2013, 12:26 AM   #31788
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Quote:
Originally Posted by jvince View Post


Evil Dead (2013)
dir. Fede Alvarez

[Show spoiler]
The Good: Jane Levy... what an amazing performance. Lou Taylor Pucci is also great in his supporting role. Lots and lots of gore (It even rains blood at one point). The various bodily dismemberments. The middle portion and the final act. Some pretty effective build-ups. Nice nods to the original trilogy.

The Bad: Stupid characters. Mediocre supporting cast, especially Shiloh Fernandez. Writing and character development leaves a lots to be desired. Slow, uninteresting start. Hits a snag towards the end. Fails to sustain ominous tension. Underwhelming and awfully short post-credits scene (but hardcore fans may get a kick out of it).


The Bottom Line: Terrifying? No (unless you're a total p*ssy). Gross? Sure, but far from being the most sickening out there. No charm, moderate fun, all gore. Forget the hype. It's certainly no landmark horror flick, it's simply a respectable effort.

Believe it or not, this actually has more more optimistic about the movie than I was before. I figured they were going to completely botch it since that has been happening a lot with remaking horror classics, but it seems they at least made a decent movie.
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Old 03-27-2013, 12:35 AM   #31789
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Quote:
Originally Posted by SquidPuppet View Post
[/SPOILER]
[Show spoiler]There is only one interview ever, with THE man who killed UBL. The shooter remains anonymous still. It is a fascinating and sad article about how an elite HERO has been pooped on by his own country.

In the article he comments on the character "Maya"...



He also comments on the movie...





Bigelow, I'm talking to you! Get the basics right. You've dropped the ball twice.


Read more: Man Who Killed Osama Bin Laden - Treatment of Veteran Who Shot bin Laden - Esquire http://www.esquire.com/features/man-...#ixzz2OaNZfWK3
That's interesting that you brought that up. I just read this today discrediting that article. Not taking a stance yet since I haven't read the entire Esquire one.

Quote:
Originally Posted by SquidPuppet View Post
That article is long, but very worth reading.

Regarding your spoiler, yeah, Bigelow is 0-for-2 in that department. If a 1941 army tank has a gas cap with three grooves on it, and it is depicted in a film with only two grooves, I aint gunna come unglued. But some of the BASIC, COMMON SENSE stuff, that even a non-military person such as myself can catch, that she gets wrong is just plain insulting IMO. It's like, how am I supposed to NOT notice that? Why would that NOT bother me?

[/]

Agreed. Though I think what stood out to me the most was the helicopter crash. I'm sorry but if you crash your helicopter in someone's backyard, they're going to know you're there. Not debating what really happened, I'm just saying it takes away from the intensity of a stealth mission.

Quote:
Originally Posted by surfdude12 View Post
this ending leaves me stumped, since the ending did seem
[Show spoiler] to be about Maya, and I'm not sure why she's crying : is she happy he's dead? is she sad now that she has nothing to do? I suppose that is up to us to debate
.
Quote:
Originally Posted by SquidPuppet View Post
Could it be that
[Show spoiler]she realizes now that the task has been completed, that she is empty? That she didnt have a balanced life because she was obsessed with UBL and only UBL?
It striked me to be more about her, as Surfdude mentioned.
[Show spoiler]She is left as empty as the plane she departs in.
It is Bigelow's way of avoiding making a political statement about whether or not to consider his death a "victory". Kind of a cop-out but I appreciate the depth.

Quote:
Originally Posted by surfdude12 View Post
I think the Bigelow approach can be easily explained by the "gamer generation" - everyone knows that you yell out stuff when you're in a tactical attack mode!! Oh wait, nevermind, even Rainbow Six Vegas (one of my favorites) got it right and even they were quiet the ENTIRE assault on a structure or entry into a building
Rainbow Six: Vegas is a fantastic game. And yes, stealth = quiet & invisible.

Quote:
Originally Posted by Abdrewes View Post
[Show spoiler]Yup. Maybe I'm just too liberal, but I felt no real accomplishment at the end. Sure it's a hell of a feat tracking down the most wanted criminal on the face of the planet, but to what end? It all seems rather Zero Sum to me.

The film compliments this reading by being do dry and to the point. It's not about character, but rather how disposable individuals are to the government. It's only fitting that theres not much to Maya. That's what ten years of subservience does to someone.
The "where does it end??" argument comes far more often from conservatives, which are the ones all about drawing indisputable lines on everything. But I see your point.
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Old 03-27-2013, 12:46 AM   #31790
Lepidopterous Lepidopterous is offline
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Quote:
Originally Posted by SquidPuppet View Post
Rust and Bone

Pretty good. Not great.

The protagonist was difficult to like. But, he was also difficult to dislike.

The technicals were all good. It just didnt GRAB me. I enjoyed it though.

DJMethod. When the little boy fell
[Show spoiler]through the ice and it looked certain that he would die, I was thinking of you. If the film had ended there, (which, at the time, I thought was going to happen) I was going to go apesh!t that they did it for cheap shock effect, like in The Mist.



Film 3.5/5
PQ 4/5
AQ cant grade it because I watched it with the volume extremely low.
Haha that's too funny. I do think that incident holds more purpose than just a shock effect. I'll post a bit later explaining why.

This, The Master, and Amour were the three most thought-provoking films I saw last year. I'd be interested to hear more of your thoughts on it. I've come to a pretty solid conclusion myself but my 3.5/5 score still remains until I see it again.
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Old 03-27-2013, 12:48 AM   #31791
Lepidopterous Lepidopterous is offline
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Quote:
Originally Posted by jvince View Post


Evil Dead (2013)
dir. Fede Alvarez
The Good: Jane Levy... what an amazing performance. Lou Taylor Pucci is also great in his supporting role. Lots and lots of gore (It even rains blood at one point). The various bodily dismemberments. The middle portion and the final act. Some pretty effective build-ups. Nice nods to the original trilogy.

The Bad: Stupid characters. Mediocre supporting cast, especially Shiloh Fernandez. Writing and character development leaves a lots to be desired. Slow, uninteresting start. Hits a snag towards the end. Fails to sustain ominous tension. Underwhelming and awfully short post-credits scene (but hardcore fans may get a kick out of it).

The Bottom Line: Terrifying? No (unless you're a total p*ssy). Gross? Sure, but far from being the most sickening out there. No charm, moderate fun, all gore. Forget the hype. It's certainly no landmark horror flick, it's simply a respectable effort.

Loved the trailer for this. I hope I can catch it in theaters.
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Old 03-27-2013, 12:52 AM   #31792
Lepidopterous Lepidopterous is offline
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Quote:
Originally Posted by jhiggy23 View Post
Cinema Paradiso:

Film: 4 stars (out of 4)
[Show spoiler]

Just an incredible film. It won the Oscar for best foreign film in 1989, Empire magazine ranked it as the 27th greatest foreign film of all time, and it's widely considered by critics to be one of the best films ever at movies, with only 8 1/2 being clearly ahead of it.

I really just loved the film, from the performances, to the direction, to the writing, to the incredible score. And it's now easy to see why it's ending scene is so widely renowned--one of the best I've seen.

It's interesting that there are different versions of the film. There's a 155 minute version, a 125 minute version, and a 175 minute version. When the film was released in 1988, Harvey Weinstein and Miramax decided to release the 125 minute version. In 2002, the 175 minute version was released theatrically. What's interesting is that the additional 50 minutes almost all takes place just before the end of the film, expanding upon an important sub-plot and completely altering the meaning of the film and the nature of a main character. I saw the 125 minute version--I haven't seen the longer version, but I know what happens. I think Ebert's review on the matter seems spot on. The longer version is nice because the viewer gets to know what happens with a certain sub-plot, but it extends beyond the natural ending of the film.

I've been wanting to see the film for awhile, especially since there's an art house movie theater next to the courthouse I work at called Cinema Paradiso, which is modeled after the film.
What a masterpiece. Yet it feels strange when I discover films so great have multiple versions or are somewhat incomplete (e.g. Passion of Joan of Arc, Fanny & Alexander, etc). It is somewhat unsettling to me when the product itself is not "definitive."
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Old 03-27-2013, 12:56 AM   #31793
SquidPuppet SquidPuppet is offline
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Originally Posted by DjMethod View Post
That's interesting that you brought that up. I just read this today discrediting that article. Not taking a stance yet since I haven't read the entire Esquire one.
Thanks for the link. We'll never know for sure I guess. I just started reading the CNN article and right away something doesnt make sense.

Quote:
The first three SEALs to make it to the top floor of bin Laden's compound where he was believed to be living were "the point man," "the Shooter" profiled by Esquire, and Matt Bissonette, the SEAL who wrote "No Easy Day" under the pseudonym Mark Owen.

What actually happened the night of the raid, according to the SEAL Team 6 operator who I interviewed
The one he interviewed was not one of the three, therfore not in that part of the house. Hearsay.

Quote:
"The Point Man" ran up the stairs to the top floor and shot bin Laden in the head when he saw what looked like bin Laden poking his head out his bedroom door. The shot gravely wounded al Qaeda's leader.

Having taken down bin Laden, the point man proceeded to rush two women he found in bin Laden's bedroom, gathering them in his arms to absorb the explosion in case they were wearing suicide vests, something that was a real concern of those who planned the raid.
If "The Pont Man" gravely wounded UBL what sense does it make for him to grab the ladies. That would be an unnecessary suicide after nailing UBL. Just let those women blow themselves up if they want. In "The Shooters" version, "The Point Man" had a reason to tackle the two women. They saw UBL peek his head oud but missed with the shot and UBL retreated into the bedroom. The women then ran down the hall towards the guys and "The Point Man" tackled them (Incase they had suicide vests on) so that "The Shooter" behind him could persue UBL.

Quote:
The SEAL operator also points out there was a discussion before the raid in which the assault team was told "don't shoot the guy [bin Laden] in the face unless you have to" because the CIA would need to analyze good pictures of bin Laden's face for its facial recognition experts to work effectively. Yet the Shooter in the Esquire story says he shot bin Laden on purpose twice in the forehead.
And??????? in the paragraph before he just told us that The Point Man shot UBL in the head. WTF is his point? That "The Shooters" Story is false becasue he did the exact same thing that "The Point Man" did?

I'll finish the article now.

Last edited by SquidPuppet; 03-27-2013 at 01:27 AM.
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Old 03-27-2013, 12:59 AM   #31794
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Originally Posted by jvince View Post


The Cabin in the Woods (2012)
dir. Drew Goddard

[Show spoiler]
The Good: Clever take on the horror genre. Fran Kranz, Richard Jenkins, and Bradley Whitford. Witty dialogue. Thermos bong. The purge. Merman.

The Bad: Could've been executed much better, especially the ending. Resorts to lazy contrivances at times. Terrible CGI.

The Bottom Line: The Cabin in the Woods is a unique and admirable stab at the genre that needs to be seen more than once in order to catch everything.

Honestly, I didn't care for this my first time around. My opinion of it might improve though because I was very tired at the time.
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Old 03-27-2013, 01:00 AM   #31795
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Originally Posted by SquidPuppet View Post
Thanks for the link. We'll never know for sure I guess. I just started reading the CNN articl and right away something doesnt make sense.
I struggled with that last statement as well.
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Old 03-27-2013, 01:04 AM   #31796
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Originally Posted by SquidPuppet View Post
Animal cruelty, of any kind, for any reason, unjustifiable.
Although this statement is true, killing animals does not necessarily equate to animal cruelty. Cruelty to me is torture, while killing for food is designed to be as painless as possible and meant for survival or consumption purposes.
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Old 03-27-2013, 01:07 AM   #31797
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Originally Posted by surfdude12 View Post
Flight

Film: 4/5
[Show spoiler]-great film, very entertaining
-very convincing performance by Denzel as
[Show spoiler]an alcoholic

-I liked the aspect of the film that sometimes, when no rational explanation can explain an event, you must chalk it up to the unexplained/divine/God/miracle (fill in your word). Sometimes the rules of logic/science don't and can't explain stuff, and what are we left with? Some would argue that this merely indicates that we have more laws of science left to discover, which may be true.
-the other great aspect (just as good) was self-assessment and being aware of one's own shortcomings. perhaps the hardest task any human has in this life.
-recommended!
-this is my second redbox rental, have you guys used it? I'm having to use them for new releases, since I have excess TV rentals from Netflix at home (thanks squid) and at times need to squeeze in a new release (I am WAY BEHIND on new release films)
What did you think of the ending? I loved it.

This was a Diesel one-and-done for me though.
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Old 03-27-2013, 01:16 AM   #31798
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Originally Posted by SquidPuppet View Post
Argo

[Show spoiler]Enjoyed it quite abit. Very well made, on all fronts. It was fascinating since I didnt know about the whole
[Show spoiler] BS Canadian filmmaker portrayal
as the means to escape. Cool.

For a thriller though, it fell short for me with regards to tension and fear of consequence. Simply put, not stressfull or dark enough by any means for my tastes.

Going to Hollywood was necessary (and accurate) for the story, but it added a "pleasant" vibe that pulled the film away from its roots, a life and death/torture hostage situation.

I was too comfortable.

Had I paid full admission price to see this at a theater I would have left fully satisfied, no doubt, but Best Picture? Seems a bit lofty there IMO.


Film 4/5
PQ 4.5/5
AQ 5/5
Interesting point about the vibe imbalance.

I think the Academy are suckers for the best premise. The past three Oscar winners come to mind--Argo, The Artist, The Kings Speech. If I described any three of these movies to someone, they could predict it is Oscar material. The premise of Argo is fantastic, but the end product, although solid, did not deserve Best Picture. (imo)

Last edited by Lepidopterous; 03-27-2013 at 01:18 AM.
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Old 03-27-2013, 01:23 AM   #31799
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Quote:
Originally Posted by DjMethod View Post
Honestly, I didn't care for this my first time around. My opinion of it might improve though because I was very tired at the time.
I didn't like The Cabin in the Woods that much either. I blind bought it expecting it to be a sure thing and I ended up selling it.

We're two of the only people in the world that didn't like it very well, but oh well.

Quote:
This was a Diesel one-and-done for me though.
Uh oh. That's copyrighted by Diesel. If he was around more than once a week, I'd be worried.
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Old 03-27-2013, 02:06 AM   #31800
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Originally Posted by surfdude12 View Post
The Master

Film: 4.5/5

-there are a few critical scenes that seem to provide some clear meaning on themes. For example, there is the "animal v. man" dicohotomy in one of Dodd's speeches
[Show spoiler](when Freddy is hitting on one of the radio girls). Dodd discusses how his movement is aimed at "suppressing negative thoughts - something that animals are incapable of." And RIGHT WHEN he says "animals", what do we see? Freddy writing "I want to f&*k you" on a piece of paper and showing it to one of the radio girls. Dodd even calls Freddy an animal not once but TWICE - (1) when Freddy f@rts during questioning ("silly animal"), and (2) after hearing that Freddy beat up the dude who challenged Dodd ("Freddy, no! That is animal behavior. That is what animals do!"). Clearly, Dodd views Freddy as an "animal" - and thus the ideal subject for his "cause". Why? because if "the cause" can transform Freddy, it can transform anyone , and thus give Dodd maximum fuel for his fraud engine. And yet, we know Freddy is not an animal .Why? Because Dodd's daughter put her hand on his crotch and he pushed it away. Animals don't refuse free sex. After staying with Dodd for a while, Freddy seems to improve (not as wild/crazy), but he also seems more subdued/controlled/robot-like. This is where Clockwork Orange came to mind - he's become Dodd's Clockwork Orange - achieved outer improvement at the expense of inner freedom and dignity. Bad deal for anyone. I'd rather die on the streets than become a zombie like that. But what does all this have to do with the animal/human theme? After Freddy ran away (motorcycle), and tried to contact Doris (perhaps because of progress), Dodd realized that his primary asset was gone and doubled down on the manipulation of Freddy - threatening him that he'd never talk to him again if he left again, telling him that if they parted he would kill him in another life, etc etc = all to get the "animal" back into the zoo so he can use him for his fraud scheme of showing his new subjects how his "cause" worked from changing an "animal" into a "human" - the problem with Freddy (from Dodd's perspective) is that Freddy is already changed into a human and doesn't want to be caged up anymore & be put on display to further Dodd's fraud scheme. He's already achieved some level of progress (visiting Doris' house proves that) with or without the "cause" and his decision NOT to stay with Dodd is even further evidence of that progress. He's truly human. ONly an "animal" would stay caged up with Dodd
I picked up on their interplay and the "switch" that reflects Freddy's breaking out of shell, but the animal vs. man dichotomy will be an interesting theme to explore on a second viewing. Great insight! There is an inner anguish and insecurity I picked up from Dodd as well. Sometimes to live a lie, we must over-express it. I knew somebody with Borderline Personality Disorder that did exactly this.

Quote:
Originally Posted by surfdude12 View Post
do you think PTA should have explained "the cause" more?
[Show spoiler] we don't know too much about it, other than (a) it suppresses negative feelings/thoughts, (b) time travels you back to past lives, so you can mend/heal those memories, (c) involves silly repetitious exercises like walking from a wall to a window 1000x
. That is one approach. Its tough though. It seems that PTA only had 2 choices:
[Show spoiler]focus on the characters, or focus on "the cause". If he focuses on "the cause" and gives us lots on that, then the bond between Hoffman and Phoenix is put on the back burner. Its no longer about them, their connection, how they "met" (past lives), etc. Its then about doctrine, beliefs, chicken or the egg, etc. I suppose you can end up with an "enigmatic" PTA film either way - focusing on "the cause" or the characters, but I know what you mean about wanting it more tied up. TWBB was definietly tied up more. We didn't see Plainview and Eli with vague character interactions like here with Dodd and Freddy - Plainveiw and Eli were always interacting in a conventional, intelligble manner. Perhaps PTA is just making the character interaction more subliminal here, so we have to do more footwork. Part of me wanted to know more about "the cause" or characters, while the bigger part of me doesn't want to know more & enjoyed trying to "solve the riddle" (as with all my favorite flicks).
Good points. I think the religion was too integral to the character study to be able to separate into the choices you stated. PTA could have certainly milked it more without sacrificing character. I sensed a bit of restrain to keep the film from becoming too controversial. It did make a great vehicle to display Freddy's perversion and Dodd's obsession. If I watch the film again, it will be for their brilliant acting (and of course to pick up a better grip on their characters).


Quote:
That was a great scene. Seems hard to keep up with that momentum though, as it
[Show spoiler]divulged everything about Freddy in one swoop. We've learned everything there is to learn. We do have other intense scenes like the "excuse me" argument scene, jail scene, the dancing (naked) scene, and the wall-window walking scene, not to mention the "sink scene" (where adams "takes care" of HOffman ), that were all pretty intense.
. It seems that PTA likes to achieve some kind of dynamics in his films, where he has intense scenes, separated by slow/calm scenes. We saw this in TWBB with
[Show spoiler]oil explosion scene followed by long slow scene showing a pipeline across the country, or church yelling scene followed by quiet slow dialogue
.
There were some great scenes with powerful acting, but I was more implying that PTA lost me for the majority of the film. But for that one scene, I nearly fell off my chair! I don't need explosions to stay engaged, just give me something to care about.

Perhaps the film peaked too early. The best thing about There Will Be Blood is the ending. Everything tense about the film explodes in your face and justifies the pace and mood of the entire film.

The Master falls into my "brilliant but boring" category, next to L'Avventura and Solaris. You fully appreciate what they are trying to do, but enjoy analysis far more than experiencing the film.

Last edited by Lepidopterous; 03-27-2013 at 02:10 AM.
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