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#42 | |
Blu-ray Samurai
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Last edited by BleedOrange11; 07-14-2014 at 02:20 AM. |
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Thanks given by: | tigermoth (07-14-2014) |
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#44 |
Special Member
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I know I'm gonna get flack for this (and saying someone like me is in denial because they saw 3d they liked is insensitive and rude) but I was impressed with the 3d in DOTPOTA. It's not strong 3d, but it's nowhere near the disaster and disappointment people make it out to be. To me, the 3d in the movie is outstanding in putting you right there with the apes and the world. It's naturalistic 3d without being insulting or unsatisfying and it completely fits with the movie and kept me immersed throughout imo. And I noticed alot of shots that had medium depth to them and I know 3d and what to look for when a movie employs 3d. And apparently I'm still in the minority that thinks the 3d in Tron legacy is great and the only way to watch the film.
Anyways, in terms of the film I honestly felt it was a masterpiece! The story had so much weight, power, and emotion behind it and the special effects by WETA are just jawdropping and extradordinary to behold. It seriously damn looks near photoreal and the 3d made that illusion even more believable at points. the acting by Andy Serkis and the rest of the cast (Particualry Toby Kebbel as Koba who just wbout completely steals the show)is superb. DOTPOTA is probably my favorite movie of the year. Just amazing! Previews: Guardians of the Galaxy: still looks kickass in 3d and was wonderfully surprised to see that the expanded aspect ratio of the IMAX 3d version looks like it's going to be in the Cinemark XD version when I saw DOTPOTA in Cinemark XD 3d tonight. Sin City: A Dame to Kill For: Holy shit the 3d on this movie looked strong! Easily near the top of my most anticipated 3d movie list now! Now I just need to see the original finally first lol Exodus: looks absolutely gorgeous and stunning in 3d. Mostly strong 3d for the entire trailer. Can't freaking wait for Ridley Scott's latest film and second 3d movie!!!! Last edited by mseeley; 07-14-2014 at 08:33 AM. |
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#45 | ||||
Blu-ray Champion
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Anyway I shall see this film shortly and report back with my thoughts on how the 3d was used. |
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#46 |
Special Member
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Though the movie was amazing. I can't really recall a moment where a scene in 3D blew me away or even impressed a little. I feel the 3D conversion was a bit mediocre and didn't really add anything to the experience of the film itself. Just another movie to say it's 3D to raise prices and get asses in the seats. That being said I can't wait to own this on Blu and will most likely pick up 3D version since it will be a 5 dollar difference but will watch 2D mostly.
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#47 | |
Blu-ray Champion
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#48 |
Special Member
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I don't need your snark. Just because I can appreciate and SEE shallower 3d depth and understand the artistic merit of using it doesn't mean you have to be a stuck up ***hole to everybody else.
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#50 | |
Blu-ray Samurai
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What was "naturalistic" about the 3D? Was it more or less natural than round 3D? More natural than 2D? Natural compared to human vision? Why do you think shallower 3D was appropriate? How did it benefit the characters or setting or emotion conveyed compared to using round 3D or just shooting it in flat 2D? |
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#52 | |
Banned
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100% agree with everything you said here (except Tron Legacy). That's what I was saying the other day. The 3D isn't what I would classify as strong but it serviced the film very well, and did a very nice job of bringing me "into" the film. I always prefer strong 3D and this wasn't strong but it was not nearly the disaster some naysayers are claiming it is. Too much hyperbole in these threads. We need a little bit more "rounded" opinions, not extreme. |
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#53 |
Active Member
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I agree with your list of the best (Havent seen Transformers though) but would add "How to Train Your Dragon 2". Dreamworks did it again on that one!
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#54 |
Senior Member
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#55 | ||||||
Blu-ray Grand Duke
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The Argument for Stronger 3D:
Most of us here are fans of 3D in general regardless of our preferences for the quality of the 3D. The key is remembering we're all in support of the 3D movie experience (and the hope that it continues well into the future). At the same time, understanding why stronger 3D ( in the range of Avatar's 3D as a classic example most have seen and enjoyed, or more recently Pacific Rim's 3D) results in a very clear, visual contrast compared to 2D and gives many of us an unmistakable sense of immersion into the strong 3D film. Had the 3D in Avatar been weak, mild 3D that was nearly 2D, would we be watching 3D on our 3DTV's today? Would mild, nearly two dimensional 3D have gotten people excited to spend the extra money to see a film in 3D and help Avatar reach record breaking box office numbers? Why did James Cameron opt for stronger 3D instead of mild 3D in many shots (excluding the distant scenery and planet shots for the sake of a more human view of those planets)? Mild 3D, being as close to 2D as 3D can get, is something stereographers really should try avoiding if possible unless they have a great reason for their film, if they value the reputation of 3D in movies; knowing a mild 3D film might be the first and the LAST 3D experience some new fans are willing to give 3D. Thinking back to the comparison of Avatar's 3D, contrasted against Sam Worthington's very next 3D film, Clash of the Titans 3D and the online responses against 3D afterwards. To argue on the opposite side against the constant desire for stronger 3D, I can understand the view of accepting mostly any form of 3D quality, and realize that might be enough to satisfy the most enthusiastic of 3D fans. The emotional connection with the movie may merge to some degree into the feelings about the 3D. Sort of like being on the side of a movie most people hated. They're seeing value where others don't. With that in mind: The Contrast of 2D versus 3D: 2D is like comparing two lines that have merged into 1: | Mild 3D is like two lines very close together: |_| Medium 3D being those two lines a bit farther apart: |___| And Strong 3D the farthest apart within comfort to the eyes' range: |______| Those lines can represent an analogy to the interaxial distance of the two cameras on a 3D Rig when the stereographer is setting up the film shot. He or she could settle for the mild setting for every shot, just to avoid resetting the distance since "It looks good for close ups of the face" and speed up the production. Or they could go the extra mile and make the time to adjust every shot as needed and when appropriate (some distance shots don't need stronger 3D if more natural 3D is the goal), and end up with a strong 3D film in as many shots as possible. One thing to keep in mind is, the stereographers who helped put the 3D together in these movies are probably at least curious about how the general public viewed their 3D efforts, and occasionally might find this forum by typing a "3D review forum for.." search. The point being, they'll possibly consider our views and make adjustments as needed. Not likely, but it is a remote possibility if thinking about how social media can very much influence the quality of products we buy from the manufacturers. Just one point of view. Quote:
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Last edited by Zivouhr; 07-15-2014 at 03:22 AM. |
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Thanks given by: | tigermoth (07-15-2014) |
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#57 | |
Special Member
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The way I would describe the 3d in this movie is it's more about the foreground and middle ground elements and immersing the viewer in that way rather than going all out strong 3d( which would have been amazing, but again I respect Matt Reeves approach and the 3d still immersed me where it counted most I'd say). The film's use of 3d is brilliant in making you believe the apes are real and not special effects (sometimes with strong 3d you can kind of see the special effects seams imo). And I will still love and defend Tron Legacy in 3d to my grave lol |
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#58 | |
Blu-ray Samurai
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The way I saw Tron: Legacy was: Real World = 2D Game World = Shallow 3D with decent roundness IMAX moments = Stronger 3D with better roundness All part of a depth script designed to give important story moments more impact than others. I'm not really a fan of that style, but I can't deny it's effectiveness and can at least respect a bold creative risk. |
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#59 |
Banned
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I'm not a fan of shallow 3D. I don't see much of a point in it. They knew how to make 3D films in the 50's. Even the 80's turned out some very strong 3D films. These days 3D is on average much weaker, and that is partly responsible for so many people being unimpressed with it. My girlfriend isn't a huge 3D fan but when she saw House of Wax she actually commented on how good the 3D was.
Conversions are getting better all the time, to the point where many conversions now are stronger than natively-filmed 3D films, since the conversion houses really know 3D and know how to push the planes. Natively-shot 3D films are usually leaning towards weak-to medium 3D. Articles have mentioned this years ago but Hollywood refuses to learn from their mistakes. All that being said, I wouldn't call Dawn weak. I'd say it was moderate 3D with some weak parts. It did enhance my enjoyment of the film for sure. I wish Hollywood in general would start turning out some stronger natively-shot films. For one thing - they need to learn about hyper-stereo. Separating the lenses further apart than normal for exaggerated 3D - this can give astounding results for far-off shots of cities, etc. - where normal separation gives flat results for far-off objects. There are lots of Flikr boards where amateurs post their hyper-stereo photos, and they look astounding on my 3D tv. Hollywood isn't being creative when using 3D techniques. They're just going through the motions without thinking in 3D. |
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#60 | |
Blu-ray Guru
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It could work when you're going for an "unreal" perspective intentionally - some sort of dream sequence, a visual statement that it's a small world after all or something of the sort, a shot from the POV of a giant creature - but is generally avoided for most uses as the filmmakers (and myself, frankly) prefer realism in these sorts of wide, distant shots as opposed to exaggerating the depth for the sake of making 3D more noticeable. That said, Dawn had the opposite problem to me; most scenes were so shallow it ruined the immersion by not even coming close to realistic amount of depth and roundness. It was as if everything were viewed with the depth perception of a small gerbil. |
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Thanks given by: | tigermoth (07-17-2014) |
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