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#24 |
Banned
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I hate these limited crowdfunding things because they're so easy to miss and then you're screwed. I would have backed this in a heartbeat, and now presumably I'll have to pay some crazy price to someone on ebay. I wish this forum had a "Crowdfunding" subforum so it'd be easy to check in once in awhile and make sure you hadn't missed anything. "Blu-ray Movies - North America" moves too fast to "keep up with" unless you're checking constantly or reading back multiple pages when you do check.
Glad this will have a disc period though, even if I have to get ripped off for it. This Netflix streaming-only stuff grinds my gears in general and seems absurd for a situation like this. I can't believe no one with a real interest in film-preservation didn't step in first (Scorsese? BFI? The archival group at Sony? A team-up between Criterion and Eureka? Etc.) and they were left to turn to Netflix, who will sort this next to "The Break with Michelle Wolfe" and "Insatiable season 1" (or whatever comparable-quality nonsense is released in November) in the "Trending" category for 2 weeks and then never promote it ever again. Last edited by neo_reloaded; 08-16-2018 at 08:50 PM. |
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Thanks given by: | AKNewbie (08-31-2018), Archedamian (08-30-2018), Deadguy2322 (10-15-2018), Jobla (08-16-2018), nateynate87 (12-09-2018) |
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#25 | |
Blu-ray Ninja
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Also, since people are keeping this on the front page, I'll take this opportunity for the following PSA: Josh Karp wrote a book chronicling the behind-the-scenes insanity that led to this film being shelved for over forty years. It's titled Orson Welles's Last Movie: The Making of The Other Side of the Wind. |
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Thanks given by: | Gacivory (08-17-2018) |
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#26 | |
Blu-ray Archduke
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#27 | |
Blu-ray Baron
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Thanks given by: | captveg (08-30-2018), deltatauhobbit (08-30-2018), IronWaffle (08-30-2018), noirjunkie (08-29-2018), Rui (08-30-2018) |
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#30 |
Banned
Dec 2012
NW U.S.
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Hamiltonbooks has got it for an absurdly good price, too. I've been reading about WIND since the mid 70s (there is an AFI book from that era with a Polly Platt interview about how Welles taught her to use foreground miniatures) and watched those clips of WIND that were shown at Welles' AFI dinner over and over ... am so jazzed about this!
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#31 |
Blu-ray Guru
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Thanks given by: | Deadguy2322 (10-15-2018) |
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#34 |
Blu-ray Guru
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Thanks given by: | crostonc (11-02-2018), Deadguy2322 (10-15-2018) |
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#35 |
Power Member
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#36 |
Blu-ray Samurai
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We’re getting closer to the release date and it’s being shown at the American cinematheque. Is this actually going to get a physical disk release? That’s my main hope and I can’t help but feel that something bad might happen between now and the release day seeing as this film always gets messed with somehow. If this is indeed finally the way its getting released it’s a landmark in and of itself regardless of whether the reconstruction works or not
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#38 |
Banned
Dec 2012
NW U.S.
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Got a low-rez screener link and have since seen it twice, along with the doc THEY'LL LOVE ME WHEN I'M DEAD.
The movie is very close to what I hoped for and expected -- they did a very good job of hewing closely to the parts that Welles had fine-cut back in the 70s in style, to the point that it was over an hour in before I remembered this was mostly put together by not-Welles (Sam Raimi's editor did an amazing job IMO.) It's not going to be accessible to general audiences, but that isn't a surprise. It is very found-footage in approach, so typically Welles in terms of ahead-of-its-time. There is a very lengthy sequence in mid-movie that is just an unbroken stretch of Hannaford's film-within-a-film (that's all really nice color in 1.85, opposed to the rest in 4:3 in a mix of formats) that may prove divisive for some (a sexual equivalent to the long 'stare out the viewscreen' part of the first TREK movie to some, I'm thinking), but most of the folks who aren't getting it will probably have checked out long before that point, and the rest of us will probably be there to rewatch and debate the thing. The doc is good too, though I think it really delivers most effectively in the last reel or so, when it seems increasingly personal in its focus (WIND is that way too, come to think of it.) Nice to finally see the foreground miniature shots (in the film-within-the-film, mostly near the end) that Polly Platt talked about back in the 70s ... they're very cool. |
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#39 |
Power Member
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I finally watched this on Netflix and was very happy with the final film.
IMO the best parts are in the "film within the film". The editing in some of those scenes is amazing. What i did notice was how similar the concept was to Fellini's '8½'. Both films about a director struggling to make a film, and Welles also incorporates many of his real life relationship dynamics into the story. I'm not saying it's a rip off or anything, but it certainly has a lot in common with it. I'd certainly like to pick up a special edition on BR if one ever gets a wide release. |
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Thanks given by: | IIBNG76 (12-12-2018) |
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#40 |
Active Member
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This is a stab in the dark, but Arrested Development Season 4 came out on DVD a year after it launched on Netflix (in the UK, the US release took another 6 months). So maybe Netflix will see fit to allow the crowdfunders to get their discs around Halloween, on the one year anniversary of the launch?
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Tags |
crowdfunding, exclusive, orson welles, perks |
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