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#6521 |
Blu-ray Ninja
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Thanks given by: | imsounoriginal (03-27-2016) |
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#6522 |
Blu-ray Grand Duke
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Thanks given by: | Darthvaderrocks (02-02-2021), Doctor Jack (03-27-2016), Drookur (03-28-2016), dvdmike (03-27-2016), HarcourtMudd (03-27-2016), Hellraiserfan (03-28-2016), mattc (03-28-2016), Mattmck99 (02-05-2023), Mr. Forest (03-27-2016), Pounder (03-28-2016), Region_unlocked (03-27-2016), trans8010 (03-28-2016), UltraMario9 (08-20-2016) |
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#6523 |
Blu-ray Ninja
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I was being sort of sarcastic. I personally hate it but I said it as a joke.
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#6524 |
Special Member
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I noticed this issue for myself when I watched TDKR on Tuesday. Thankfully the movie is as good as it is.
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#6527 | |
Blu-ray Samurai
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#6529 |
Blu-ray Emperor
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That's Nolan for you. If his anamorphic 35mm stuff doesn't look like it's got a layer of Vaseline on the lens then he thinks he's doing it wrong. The lack of resolution in the 35mm shots was downright painful in 15/70 IMAX.
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Thanks given by: | StingingVelvet (03-28-2016) |
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#6531 | |
Blu-ray Emperor
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[edit] Even 6K scans of the timed 35mm stuff for TDKR (which was used for the 15/70 filmout for IMAX) aren't enough to rescue the detail because the damage has already been done. [edit the second] It so won't surprise me if the 2K-sourced 35mm anamorphic scenes in BvS look far better blown up to 15/70 than Nolan's stuff. I find it so ironic that this champion of film is so determined to make his 35mm stuff look as dull and muddy as possible. Last edited by Geoff D; 03-28-2016 at 03:27 PM. |
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Thanks given by: | HeavyHitter (03-28-2016), StingingVelvet (03-28-2016) |
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#6533 |
Blu-ray Emperor
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I think Interstellar's 35mm is just as soft as TDKR's, perhaps even softer because they were shooting it on custom lenses designed to work best in the cramped confines of the spaceship cabins.
Inception is better but there's a fair bit of 5/65 snuck in there (for which the ratio doesn't change) so that movie's got a ringer. |
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#6534 |
Blu-ray Grand Duke
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The odd shot here and there in Interstellar is soft (and there's that hair) but for the vast majority of it the 35mm content was aces to my eyes. Inception I know there was some VistaVision (yes?) in there, particularly in the snow sequences IIRC, but even beyond that the movie never looked less than great. (And clearly the Academy didn't seem to mind.)
Perhaps it's the inherent darkness and grunginess that comes with shooting Gotham City in TDKR that makes it looks so gross. Just a poor color palette in general for that movie, and Pittsburgh has never been the most photogenic city anyway (although Jack Reacher worked wonders with it, also on 35mm). |
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#6535 |
Blu-ray Emperor
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Interstellar also used 8/35 for the model shots, TDKR also used 8/35 as a substitute in some of the 'IMAX' scenes. Inception employed 5-perf 65mm as the 'specialist' taking format in place of 15-perf IMAX, though it probably used some 8/35 too, yeah.
[edit]As long as there's enough light around then Interstellar looks okay, but as soon as it starts getting a bit darker the detail drops off horrifically, and the really thin blacks in certain shots don't help matters (because contrast also aids with perception of sharpness). And they seemed to shoot the movie wide open which gave the focus pullers a thankless task, so I just don't think the 35mm stuff is in any way pretty, and TDKR had much the same malady IMO. [edit part deux] And I get that's his 'look', right, it just tickles me that one of film's biggest proponents is its own worst enemy when it comes to objectively good looking PQ. Last edited by Geoff D; 03-28-2016 at 04:05 PM. |
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#6536 |
Blu-ray Grand Duke
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Nolan is a film advocate, but 35mm almost seems like a necessary evil for him. Not like he hasn't been steadily increasing the amount of large-format shooting in his movies post-Dark Knight and is prepping a movie that will supposedly be completely shot in either 65mm and/or 15/70mm. (Have you seen the DGA Q&A he hosted for Tarantino and H8? Gushing on about the beauty of UP70 and getting people back into theaters, etc.)
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#6537 |
Blu-ray Emperor
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Indeed, both him and QT have been involved in making 5/65 more of a thing in recent years (Interstellar's 70mm run also required some refurbishment of venues prior to QT's bigger 70mm rollout for H8) so if that's now become his 'standard' taking format as appears to be the case with Dunkirk then I won't complain.
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Tags |
batman, blu-ray, nolan, the dark knight rises |
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