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#761 |
Expert Member
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I think they will re release them at some point. Hopefully soon. The transfers are not very good. Plus every other format saw two releases. I would hold out and get the better transfer when they eventually release them.
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#763 |
Special Member
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#764 |
Banned
Dec 2012
NW U.S.
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Many film elements on the films do not exist. For one thing, Paramount never even bothered collecting all the original elements from Apogee and EEG at the end of the first movie, and in Trumbull's case, they ran out of space and got tired of holding them and threw them out in 1982. Reuses of TMP footage are apparently just contact-print style copies of the original film, plus some odds and ends Paramount wound up with (explaining the slightly different end to the jump-to-warp seen about halfway through TWOK.)
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#765 |
Banned
Dec 2012
NW U.S.
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You just made them a sale with that comment. I've been sorely disappointed with the lack of range on some pictures, and that, along with the tank room explosion in ALTERED STATES, were two of the most impressive lightshows I can recall in theaters.
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#766 | |
Banned
Dec 2012
NW U.S.
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If you go back to Wise interviews in the years after TMP first came out, he had very specific ideas about re-editing the film ... and almost none of them are what you see in the so-called director's edition. This is much more the vision of the people who masterminded it, who also headed up the restoration earlier of his SOUND OF MUSIC, the folks at Sharpline Arts, who should be held responsible for the immense creative failure of the 2001 cut of TMP. Outside of putting the 'spock crying' scene back in, most of the changes are pretty bad. They replace hurried matte paintings with marginal digital matte paintings, add some pretty prosaic bridging shots that don't do justice to the look of the original Enterprise shots, create a horrid sound mix ... at the same time, they ignore a scene where the color is totally off because it was shot with blue costumes against a bluescreen, and instead of fixing that (probably simple to fix, too), they put a very awkward looking engine nacelle in behind them outside a window that sits there like a Federation Sore Thumb for 2 minutes. To get this dumb view of one ship's engine, this lounge would have to be hovering in space above the recreation deck instead of being on the back top of the dish, where you'd've gotten a nice symmetrical view of the engines. Bad call on top of bad call. |
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#767 |
Blu-ray Samurai
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I gotta disagree with you. I think the DC of TMP was well done, and finally finished a movie that always looked unfinished.
I'll take a slighly awkward nacel shot over Shatner deploying out of an incomplete airlock on a sound stage any day. |
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#768 | |||
Active Member
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Do you think the director's opinion in 1981 were somehow more legitimate than his opinions in 2001? Quote:
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Every one has their own opinions, of course. The majority of reviewers in '01 had opinions that were very different from yours. Most of the reviews were positive, and a few were lukewarm. Very few were outright negative. Last edited by Revolution 9; 02-02-2013 at 02:17 AM. |
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#769 |
Blu-ray Samurai
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#770 | |
Banned
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I saw Mr. Wise present the Director's Edition to ComicCon (San Diego) that summer of 2001 and he was extremely frail and read only from prepared notes. Even then it was difficult to understand what he was saying. I got the impression he was shown the cut with the changes and made approved them. Any statements and answers to questions about what was done for the DE was handled by the Sharpline Arts team members there. Last edited by PeterTHX; 02-03-2013 at 01:11 AM. |
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#771 |
Banned
Dec 2012
NW U.S.
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You're talking about a shot that was never in the theatrical cut, just the expanded TV cut that went onto home video vhs and laser.
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#772 | |
Banned
Dec 2012
NW U.S.
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There's absolutely nothing in print to substantiate any of my Sharpline / Wise statements .. but that doesn't make them any less true. The DVD itself was a political football being kicked back and forth, with the original documentary stuff being rejected by Paramount as too unflattering, which delayed the release from the original January 7, 2001 date (1-7-01) ... I know some of this because I was trying to cover the restoration work from my staff writer position in 2000, and getting the most insane responses from Sharpline, and other stuff because folks I regularly corresponded with had inside sources on the project. And yes, a director who considers the film unfinished and needing work just post-release is in absolutely the right position to evaluate it, whereas 20 years down the line, it is more about posterity than the specifics of the film's flaws. I'm by no means a big fan of Wise's work, but DAY THE EARTH is damned near perfection, THE HAUNTING just misses greatness by a fraction and I find value in ANDROMEDA STRAIN. It may well be that nobody could have pulled TMP together back then (though if Katzenberg hadn't had his head up his ass, maybe somebody would have realized how extreme the VFX problems were a year prior to when they finally dumped the original team), but the final product is just too tepid. It's like they strove for maturity and wound up with something geriatric. |
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#774 | |
Blu-ray Samurai
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Via The Digital Bits
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#777 |
Blu-ray Samurai
Apr 2011
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don't bet on it being the director's cut of TMP - if they were going to do it, they probably would have done it for the set. plus sites have been advertising it on bluray ever since the set came out. but maybe....
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#779 |
Banned
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These are most likely just the same discs in the box set released individually. Wrath Of Khan, Voyage Home, First Contact have already been released by themselves so that is probably why they weren't listed in the press release. Bummer, I would love the Directors Cuts.
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