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#1 |
Blu-ray Guru
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I thought that this was supposed to be a practice that the studio promised to stop. Now we get BDs of classic Peanuts and Dr. Suess cartoons with crappy lossy Dolby Digital?
it's ludicrous. There is plenty of space on these discs for TrueHD or HD-MA. Aren't folks upset? Or do they not care when vintage animation material doesn't get lossless treatment? Just like all films deserve OAR and proper film transfers and lack of EE and DNR, so do all films deserve lossless audio. Even optical mono tracks from the 1920s sound better in lossless than they do in lossy. There's no reason not to provide it, especially from a studio that has PROMISED to do provide lossless on all titles. ![]() |
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#4 | |
Blu-ray Champion
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But, for the record, I do think it would be great if it does ![]() |
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#6 |
Super Moderator
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#7 |
Blu-ray Ninja
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Jeff commented on this earlier over in the Digital Bits thread I believe- basically just like where on DVD a lot of "cheap" or "old" animation had just stereo or mono tracks instead of DD or DTS, the same is occurring here, only instead using DD 5.1 instead of TrueHD or DTS-HD MA. Let's be realistic and note that this is Peanuts we're talking about, not War of the Worlds or something else with a little more... life in the audio.
I don't disagree with the OP's argument, but I think that some pragmatism needs to be applied. They're simply not going to put the work into some of these titles that they would a blockbuster. Last edited by aramis109; 11-06-2009 at 04:03 PM. |
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#8 |
Blu-ray Baron
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That is correct. They never committed to hd audio for television content. I believe all movie content has had hd audio since they said that (with the exception of those already in production at the time).
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#9 |
Suspended
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#12 | ||
Blu-ray Guru
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Really. Take a 100 year old edison phonograph recording and transfer it to 24-bit 96kHz linear PCM. That sounds pretty much identical to the original recording. Now downconvert to lossy Dolby at 192. It sounds anemic by comparison... yes... even when we're talking about a frequency-limited hiss-filled recording. Since it's no harder, and no more expensive to put lossy on the disc, it should always be there. PERIOD. Quote:
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#13 |
Special Member
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Just to play devil's advocate, how do you know it's no harder and no more expensive? If a DD track already exists for a catalog title and a lossless one does not, surely it's somewhat harder and more expensive, even if only slightly.
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#15 | |
Blu-ray Guru
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Lossless ALWAYS sounds better. Really. My example of transfering a 100 year old edison phonograph recording is not an exaggeration. Statements like yours are no different that folks who say things like "Television animation can't really benefit from HD because of limitations of the source". Just like the picture, with all its faults, can look better in HD than in SD, so can the audio sound better in lossless than lossy. Really. As long as a studio is taking the time and trouble to author a Blu-ray, and consumers are spending the cash to buy it, lossless audio should be part of the package. PERIOD. If you personally don't appreciate the improvement in audio quality with that particular source or on your system, no harm no foul. But for those who can and do, they get a BD that's authored up to industry standards. |
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#17 | |
Blu-ray Guru
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They come from lossless PCM masters. Therefore, for every lossy audio track out there, there's a linear PCM master that was used to make it also on the shelf. It's as hard as pressing a button to have that LPCM master encoded in TrueHD or DTS-HD. It's even easier just to do stereo or mono LPCM on the BD... which is an option that's 100% legitimate. |
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#18 | |
Blu-ray Guru
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#19 | |
Expert Member
Oct 2006
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I can't believe we HAVE SUCH TOPIC NOW in late 2009 ![]() I was very disspointed with lossy one on Star Wars Clone Wars series ![]() Marek |
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#20 |
Power Member
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It's been discussed that a lossless PCM track could have been implemented as easily, or even easier, than a DD track. If that is the case, and it does sound reasonable, then this smells of weak policy, laziness or incompetence (all of which seems to be the same thing in this case)
![]() The only other option I can fathom, is that the policy is built around a (flawed) assumption that they will further profit from an eventual double dip. I don't know how much better a lossless track would sound, but I do know that it would sound better, even by a margin. The magnitude shouldn't even be a factor in the decision. If cost isn't in the equation, then it's all about producing a quality product and treating your customers with respect; with the statements accompanying the recent Oz release, it has become apparent that the film side of the house seems to have gotten the message - but Warner's image continues to be ground into the dirt by weak corporate vision. Truly disappointing, and if I was at the helm of this ship, I would be shaking the riggings to drive the rats overboard. ![]() ![]() ![]() |
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