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#1 |
Member
Jun 2007
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Since there are lovers and haters of both screen formats, blu-ray movies (for each title) should be offered in BOTH 1.78:1 and 2.39:1 format. People then choose the format that they like, and problem solved. People with 16:9 screens can choose the 1.78:1 format and people with 2.35:1 (projection) screens will choose the 2.39:1 format. No one will ever need to see black bars again. Why have they not considered doing this?
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#4 |
Senior Member
Jan 2007
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#6 |
Member
Jun 2007
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Zooming will fill the screen but will decrease the resolution. It's not a good enough solution for me.
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#9 |
Member
Jun 2007
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So has anyone heard of whether they are considering doing this (produce each blu-ray movie in both screen formats)?
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#10 |
Blu-ray Samurai
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there really isnt a reason to do so, aside from the few people on the internet who cant get used to 'black bars'. (not trying to sound like a jerk; i apologize if it came out that way).
maybe if there was a big outcry and tons of fans demanding it, but filmmakers consider themselves (and are sometimes right) 'artists'. They have a vision they want people to see, and that vision is delivered to us. Its as if a painter put his art in a gallery, and right before they opened, the gallery decided to chop off 3 inches from the side of every painting. Can you imagine how furious the painter would be? |
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#11 |
Blu-ray Champion
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We won the widescreen war over 5 years ago
If you don't like "the black bars", turn off your lights There are no 2.35:1 screens. There are extreme highly expensive setups involving special lenses and motorized screens that will do it, but nothing even one half of one percent will ever install And they won't offer alternate versions for years and years, if ever. The market isn't big enough, and 99%+ of those buying BR right now want the full image, as composed by the director. When you direct your own film, you can decide on the aspect ratio. Until that time, let the men do their work Last edited by WickyWoo; 06-18-2007 at 02:34 AM. |
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#12 |
Member
Jun 2007
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I think it's time for a poll about who hates the black bars, and who don't.
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#13 | |
Special Member
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Also, if they were considering this, it would first be tested on DVD, and it sort of already has been tried, albeit not w/ simultaneous releases of each ratio. the regular DVD edition of Lord of War was at 1.78:1, even though the film was shot at 2.39:1. The special edition DVD and BD versions were at the OAR. I think this would confuse people. Not early adopters, but if you want to reach a mass market, people would see two different versions and ask why. They would get confused, since 1.78:1 is the new "full frame" while 2.39:1 is widescreen, instead of widescreen encompassing both. |
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#14 | |
Blu-ray Guru
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Fullscreen vs Widescreen, as you said, 1.78 is the new full frame [when contrasted against HDTVs]. Really as others said though, just make your TV do the work instead of the studio. The only thing the studios can do really better than your TV doing the zoom work for you is Pan and Scan. [ Edit / add ] As a sidenote, Watch Enter the Dragon on BD [or even HD]. Then watch the original 4:3 cut/framing, and tell me you'd rather not the bars, even on an old 4:3 tv. |
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#15 |
Senior Member
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#16 |
Blu-ray Knight
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Considering DVD has been out for ten years now, and they haven't produced movies in 1.78 & 2.35, what makes you think they're going to do this for Blu Ray? What a stupid expense this would be on the part of the studios, and a step backwards for the film industry.
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#17 |
Site Manager
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#18 | |
Active Member
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#19 |
Senior Member
Jan 2007
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I actually love black bars, either 1.85 or 2.39, it just gives the presentation the ultimate cinematic look.
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#20 | |
Senior Member
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It's possible as time goes on that a demand will emerge for 16:9 pan and scan, just like 4:3 pan and scan is still supported on DVD. But it'll be years from now and likely most people that want it now will adjust expectations by then or learn to appreciate seeing the entire scope of anamorphic film. Some people mask the letterbox portions of the the image like theaters draw or lower curtains to mask unused portions of the screen for different aspect films. This is especially beneficial if viewing in a darkened room. But doesn't often work with subtitling. |
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