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#1 |
Active Member
Dec 2007
Melbourne, Australia
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Anybody bought the local release? Keen to hear the specs - hoping the audio is Mandarin HD, not like the USA disc which had only English in HD.
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#3 |
Active Member
Dec 2007
Melbourne, Australia
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Oh ok, my mistake.
Keen to hear if somebody buys it this week ![]() |
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#4 |
Member
Jan 2011
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Did anyone happen to get confirmation if this title has loseless mandarin?
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#5 |
Moderator
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I saw it in JB and it doesn't indicate that anything other than English is lossless. Looks to me like it's the same deal that the US and UK got and considering it's Disney/Buena Vista in all the territories that wouldn't come as a surprise.
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#7 |
Power Member
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June 26th from Imprint. Likely as good of a release as we are going to get unless Miramax loses the rights. https://viavision.com.au/shop/hero-2002-imprint-asia-5/
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#8 |
Active Member
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Got confirmation from ViaVision that this is Region A compatible along with The Prisoner set and The Blind Swordsman.
I own the South Korea Nova Media Director's Cut and just posted a review. I decided to wait for a 4K update of both cuts rather than ordering this set. My luck would have been to order the set and then a month later a 4K version would be announced. https://www.blu-ray.com/movies/Hero-...6/#UserReviews |
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Thanks given by: | app13533d (06-06-2024) |
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#9 | |
Member
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#10 |
Expert Member
Aug 2013
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I saw this in 35mm not that long ago. The print was in excellent condition. But the film itself is kind of on the blurry side of things, noticeably less sharp than a great deal of 35mms I have seen. So it is what it is.
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#11 | |
Power Member
May 2014
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What Miramax/Disney received for the Blu-ray might have been a sub-optimal scan from an interpositive or something with scanner noise etc. But that does not mean that the original materials don't exist anymore. Maybe the rights situation for these original materials is a little difficult nowadays because so many companies were involved it the films production and China/Hong Kong changes so fast that sometimes proper documentation gets messed up, and that maybe the reason why we don't see any 4k remaster. But it's not due to the lack of materials. All this is speculation by me, but I would say the chances I am right are 95%. Last edited by The Mole; 06-07-2024 at 06:12 AM. |
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Thanks given by: | app13533d (06-11-2024) |
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#12 | |
Power Member
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Last edited by darry; 06-09-2024 at 10:46 AM. |
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#13 | |
Power Member
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#14 |
Active Member
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Just received my copy today, and interestingly it seems to have three cuts: the first disc contains what it calls the "original theatrical cut" and the "US theatrical cut", and then the director's cut is on disc 2.
The two cuts on disc 1 seem to be completely separate transfers, with the US cut being hard-subbed Edit: I've taken some screenshots to compare - they're just taken with VLC and I wasn't able to exactly match the frames so take them with a grain of salt but hopefully it gives some idea Original theatrical: ![]() US theatrical: ![]() Director's cut: ![]() Edit again: another set of screenshots showing the subtitles. The US cut subtitles are hardsubbed (i.e. encoded onto the video) but the other two are standard bluray soft subtitles. Original theatrical: ![]() US theatrical: ![]() Director's cut: ![]() Last edited by micpp; 06-26-2024 at 03:39 AM. Reason: Adding screenshots |
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#15 |
Active Member
Apr 2011
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Wow, interesting! I was wondering what subtitle track Imprint would use: the initial one or the US one that tried to sidestep the political implications.
By doing this, Imprint may be enabling both. Does the original theatrical cut use the phrase ‘all under heaven’ or ‘our land’ through the film? I ordered the Japanese DVD years ago to have the more evocative subtitle track from my first viewing: this may make the Imprint set a must-have for upgrading to HD. Could swear this wasn’t on Imprint’s page originally, but I see it there now in one of the bullets. Maybe a late addition? A separate transfer for each cut bodes ill for quality though. Last edited by Chareth; 06-26-2024 at 08:18 AM. |
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#16 | |
Active Member
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The director's cut is on a separate disc (along with the extras) so it's not TOO bad. For what it's worth, the director's cut takes up about 30GB of the disc it's on (not including the extras, which add about another 6GB or so), but the theatrical cuts are about 20GB each on their disc, so maybe a bit bitrate-starved by comparison? Mostly I kinda find it unusual the differences between the transfers on the three cuts, like comparing the screenshots they're all at slightly different aspect ratios, and even with the two that have soft subtitles, the subtitles are in a different font. It sort of makes me wonder if Imprint had to get their masters from several different sources? |
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#18 | ||||
Active Member
Apr 2011
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But the Imprint does seem to be the first set anywhere that packages the theatrical and director's cuts together, and both the US and original theatrical cuts to boot. That's worth something to me. I've never seen the DC so maybe it makes the original theatrical redundant, but the options are welcome. Never knew about the Cause documentary until your earlier post though - thank you (over two hours!). Do you know if this was ever released on any disc of the movie? Not on the 2019 Nova one, based on the back cover. Seems scarce everywhere so Imprint may not have been able to secure it. |
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#19 | |
Power Member
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I'd be very happy if someone were ever able to get the rights to it and give it a decent release. The Director's Cut also needs a fresh master (the one being used is likely the same used for the DVD). Good on Imprint for including all 3 cuts, for sure, but the DC is certainly the one I recommend. |
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Thanks given by: | vector72 (07-12-2024) |
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