Quote:
Originally Posted by HeavyHitter
The film purists have been wanting P3 color gamut as that comes closer to approaching 35mm film (which still has ever a broader gamut) and matches the DCI-P3 gamut which most Blu-rays stem from at rec. 709. With DCI-P3 you are getting closer to the actual source. It's a win-win for techies and film purists. 
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While everyone else just yawns.
That precisely illustrates the point I made on the previous page - it's all techy garbledy gook even to many folks like myself, who are enough of enthusiasts to come to a site like this yet still just could not by any stretch of the imagination begin to care less.