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#8 | |
Retired Hollywood Insider
Apr 2007
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![]() Quote:
going thru a high quality workflow (i.e. openEXR with 16bit float) and ending in a 16bit master….rather than the imagery being truncated down to a lesser quality file format which is commonly done in many productions, i.e. they don’t harvest all the possible range of the camera recording because it is then squished down by the post house (often to a 10-bit DPX type file) in order to become more bandwidth friendly. |
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