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#3742 |
Banned
Nov 2017
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#3743 |
Blu-ray Champion
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Thanks given by: | Dailyan (09-20-2018), Dave_6 (09-20-2018), fighthefutureofhd (09-20-2018), Geoff D (09-21-2018), GiorgioV (09-20-2018), imsounoriginal (09-20-2018), thethingwithnoname (09-20-2018) |
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#3745 |
Blu-ray Samurai
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I'm not basing my stern defense of the "green" aesthetic over the claimed theatrical colours upon seeing ANY images in this thread. I maintain that I believe there is a cyan push in the UHD, though. I'm basing it on;
a) Self evidence screens which show a cyan push in it b) Wachowski's wanted a green uniformity across the 3 films, as hardcoded into the cinematography in the second onward. (and parts of the first as it turned out) c) Bill Pope's memory seems to be as shoddy and utterly human as the rest of us, despite being the original artist who you would defer to if not listening to that historically relevant article. |
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Thanks given by: | VonMagnum (09-20-2018) |
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#3746 |
Blu-ray Samurai
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VonMagnum, I sympathize to your cause, because I'm also rather mixed on the new color grading, which frequently goes against what the filmmakers said and filmed back in the day.
For the most part they took all gray neutrals and with selective color tool or something like that and just infused them with cyan of various intensity. In both the real world and the Matrix world. But they admitted themselves they wanted to make it better than theatrical presentation (thus changed it), so there's no point in trying to prove anything. Either you like it or not. By the way, the columns are dark gray-green on the new master (they look right for the most part), except for cyan shots. And using green-tinted old BD as a reference for anything is a bad idea. Unless tint is removed. |
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#3748 |
Expert Member
Nov 2010
Tampa
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there is no green
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#3750 | ||
Banned
Nov 2017
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Over zealous and inconsistent recoloring. That's my biggest issue with the remaster. The BD may have been too green, but at least it was consistent. The Matrix was supposed to look slightly unappealing and "off". It now looks better than the real world in the film. I simply get the feeling the actual grunts doing the real work on the color regrading weren't all onboard wth the original concept and thus some scenes are more consistent than others. What I see here from the locals (other than a lot of childish insults) is, this looks great! No horrible green tint in most scenes now! Except it was supposed to look unappealing and hence Neo's feeling something wasn't right with the world, an artificialness you can't quite put your finger on. I agree it was a bit too much on the BD. It was probably originally a lot more subtle, but not so subtle that people actually thought there was something wrong with the film exposure when it first came out. Now it looks good, a little too good in some scenes, IMO (save where the cyan is really way too high). I don't know why this is so controversial that it generates so much hate here other than people want to believe the movie is now perfect and telling them something is still off pops their bubble of the perfect illusion. |
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#3751 |
Blu-ray Samurai
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@VonMagnum
The original color grading didn't have consistent green or blue either. Every scene had it's own look. Like it was stated before in this thread, color ideas evolved during the filming. At first they tried to separate two worlds via production design (eliminating blue from the matrix scenes as much as possible and making the real world scenes dark and blue-ish) and onset lighting. But they also tinkered with color in post. It's inconsistency within some scenes that distracts me. I can even swallow cyan that wasn't there to begins with. |
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#3752 |
Blu-ray Samurai
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Strictly speaking, we don't have much reference of the theatrical presentation. Aside from a few photos, it's mostly guess work, horrible quality camrips and fan "preservations", scattered memory, comparing releases to figure out the artistic intent and analyzing of what the filmmakers said in the past. As home releases we have the brown Matrix, the green Matrix and the cyan Matrix.
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#3753 |
Banned
Nov 2017
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I was referring to changes within scene shots. You couldn't originally see green in every Matrix shot, but it didn't change from green to blue to normal as the camera shot changed in the same scene. It was at least relatively consistent per scene location. The lobby/elevator attack scene is particularly disturbing as the amount of blue/cyan seems to change every time they change the camera view. It's not self consistent which is why I imagine teams of people breaking it up in the regrade. I can't imagine one person being so inconsistent from shot to shot. Someone really liked blue/cyan. I wonder if they're partially color blind that they can't apparently tell cyan from green.
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#3754 | |
Banned
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Especially multicamera setups. |
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#3755 |
Banned
Nov 2017
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Grain, yes (exposure affects grain and they used a lit of varying light levels for faster exposures, etc.), but color is less likely. Saturation, perhaps, but green doesn't become blue and grey doesn't become cyan without some digital manipulation, IMO. I do a lot of still photography with film and I've never had something grey turn green or something green turn blue. The saturation, grain and contrast vary with light and exposure, but if dark green is turning into medium tinted blue, something very fishy is going on. On the contrary, it's quite easy to change green to blue in something like Photoshop.
My point is if the columns really are dark green, they could become grey with low saturation, but they won't turn blue as some of the remastered shots show a blueish tint over everything not skin colored (might be there too, but less noticeable since there's little to no blue in skin tones to enhance). |
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#3757 | |
Blu-ray Guru
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Thanks given by: | Geoff D (09-20-2018) |
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#3759 |
Active Member
Feb 2015
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Apologies if this has already been answered in this huge thread, but does the UK release include the remastered BD, and what is the verdict on it?
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#3760 |
Blu-ray Ninja
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As stated in the release, the Wachowskis left the new transfer to Mr. Pope, who oversaw the hdr grading. He also signed off on it, obviously. He, with the exception of the Wachowskis, knows how this film should look. This release represents how Mr. Pope wants the film to look. This is quite simply, good enough for me.
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