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#141 |
Banned
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Thanks given by: | RedHarvest (04-28-2020) |
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#142 |
Active Member
Jan 2011
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I just bought an Apple TV 4K and just to see this on iTunes in 4K HDR on an OLED, and I though the grading was terrible. The blacks were okay, but nothing popped. It just all looked drab, and not in a cool and intentional way.
It didn't even pop when Neil and Eady were driving into the tunnel, and the ethereal light saturates the scene. Not even when the runway lights dramatically turn on in the end scene. I had hoped the street shootout would be brilliant, to match the incredible audio during this scene. Nope. Hopefully, they'll regrade this for the UHD Blu-ray. I can watch this film a million times in any form. Last edited by markerb; 03-20-2019 at 08:30 AM. |
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#143 | |
Banned
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#144 |
Blu-ray Ninja
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It's not a matter of tone mapping, Heat in HDR looks more like SDR. That's just how it is. With LG's dynamic tone mapping enabled it's only slightly better, but still nothing that looks like high dynamic range we're now used to BUT it's the best this movie ever looked and a jump in resolution is clearly visible.
BTW, Goodfellas looks amazing on my TV. Last edited by Mierzwiak; 02-08-2019 at 09:58 PM. |
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#145 |
Banned
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Those “SDR in HDR container” films tend to need better tone mapping and often receive more criticism than the films that make your eyes pop out with HDR or whatever. So in a way, it’s really both things.
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#146 |
Blu-ray Ninja
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With HDR10 I can watch movies two ways on my OLED:
- with everything above about 600-700 nits clipped - with dynamic tone mapping enabled that preserves all the highlight details above mentioned limit. With Heat there's nothing to tone map for my TV because in the first scenario it looks like the highlights are maybe 150 nits at best; with dynamic tone mapping it looks a little bit brighter and better overall, with "little bit" being key words here. |
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#149 |
Blu-ray Grand Duke
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#150 |
Blu-ray Duke
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Don't get me wrong, they looked better than the BDs, but I expected more from something like The Man From U.N.C.L.E.
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Thanks given by: | StingingVelvet (02-14-2019) |
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#152 | |
Active Member
Jan 2011
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... or are you all remembering this from its theatrical run? It's possible that when Mann came back and did the new 4K scan, it was simply graded for SDR and they didn't really bother with HDR. Mann stated "When you go into Blu-Ray, and you go to 4K, you’re in a different color space." It sounds like he meant HDR, but he was making the 2017 4K SDR release at the time, and there's something off about his statement. Is he suggesting that even normal Blu-ray has a different color space than any home video technology that came before it? It does not. Anyway, I guess I'm not convinced he actually did an HDR grade at that point. Plenty of legacy directors have revealed in their words that they just don't quite understand the latest in home video technology. It's still totally feasible that Mann actually produced a BT.2020 grade, but that iTunes only managed to get their hands on a 4K BT.709 grade. In either case, I'm still hoping to be impressed with the UHD Blu-ray when and if it ever comes. |
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#154 | |
Active Member
Jan 2011
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I just saw no indication of anything that represented a deeper color palette. I saw "Wrath of Khan" in HDR and iTunes, and it was spectacular... especially for a 1982 film. Obviously, it's all wild speculation. However, I still have a problem with all these statement that somehow the film stock is "SDR". Last edited by markerb; 03-20-2019 at 03:26 PM. |
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#156 |
Junior Member
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#157 |
Blu-ray Champion
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Thanks given by: | HeavyHitter (05-26-2019) |
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#158 | |
Banned
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Not to mention, when you have huge ultimate editions like Apocalypse Now and classics like Alien coming out on UHD for around $20 (and Alien has been under $15 for a while now), no way most people would spend $40 for a Criterion disc. |
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Thanks given by: | cheez avenger (05-22-2019) |
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#160 |
Active Member
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