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#641 | ||||
Blu-ray Samurai
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![]() ![]() Yes, much of what you're saying here is very true...and I agree. And again, I never intended for my opinion regarding the new Blu-ray of "Willow" to go off on this tangent. As I previously stated, it's only my opinion, and while I'm perfectly content with it, I'm not expecting others to agree with me. Quote:
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#651 |
Blu-ray Ninja
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Glad the price dropped to $14.99 again. This time I placed an order, along with the ILM book: The Art of Innovation.
Looking forward to seeing this again, after watching it once on VHS in 1998. I hope it's exactly as I remember it. ![]() ![]() |
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#652 |
Blu-ray Grand Duke
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Ecactly! This happens all the time. People, perhaps by default, just use the dvd as the benchmark.
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#653 |
Special Member
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Honestly I think people are going to be dissapointed with every new retransfered release that comes out. I will explain why this could be so. Personally I can live with this but purists seem to not be able to and they usually don't attribute it to the proper reason. Anyway, if Willow was actually transfered from the negative (not sure if it was but some new releases are)then it would need to be color timed to try and match the original theatrical intent. However, modern digital tools can get close but they are not quite able to match that warm tone that was most likely due to a chemical color timing process from back in the day. This warm look is looked upon fondly by film purists and they tend to think that color grading technicians are just applying a modern standard. I, however, think they are doing the best they can to get that look that we all (or some anyway) remember but the digital equivalent is not quite the same and it tends to bleed over everything instead of just staying where it is meant to be in the color scheme. This would explain why folks say sky's aren't as blue (and etc.) because the chemical process didn't reak as much havoc with overall image as the digital process does. I guess if moretime was put into something they may be able to get closer but in most cases we are lucky to even get a new transfer that's not slathered with dnr. There is a look to older films that have a chemical color timing process that digital tool (try as they may) can't quite achieve but let's face facts. Studios are not gonna revert back to old school processes just to please a handful of people. In general they will do whatever is cost effective and try to make us think it looks like it used to. Sometimes it works and sometimes it doesn't. That's my take on the whole debate. Personally I'm fine with Willow and I thoroughly enjoyed seeing it again. To each his own I guess.
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#654 | |
Special Member
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#656 |
Blu-ray Ninja
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I saw this movie only once in the theater when I was six and all I remember is that the Eborsisk at the end was just loud as all hell.
Might be nice to revisit, but I'd have to do a rental first. Last edited by Thomas Guycott; 03-16-2013 at 07:53 PM. |
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#660 |
Senior Member
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I have to say that Most people do Not adjust their HDTV color/brightness/contrast etc. there are many settings that you have to adjust. presets are always wrong, everyone has their own preference, finding that is key. I have found that the color is always turned really high.
Just to name a few settings... -color temperature -Adv. contrast enhancer -gamma -clear white -live color -noise reduction -backlight -hue Have you ever adjusted your TV settings? |
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