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#43 |
Blu-ray Samurai
Jul 2013
St. Albans, UK
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Thanks
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#44 | |
Special Member
Jan 2020
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Thanks. |
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#45 |
Power Member
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#46 |
Special Member
Mar 2022
UK
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Never seen this one before but picked it up, which cut would you say is best for a first time watch, theatrical or director's cut?
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#47 |
Blu-ray Ninja
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Well, **** me. Didn't know this set even existed. Was randomly looking around on DiabolikDVD and saw that. Literally spit out my drink cuz I've wanted to see this beyond the Miramax cut that I grew up on. This ****er is mine now.
I'd kill for the original cut of House of Flying Daggers, never seen it but have studied up on it. I LOVED what we got here in the US but that was just a Sony cut. Still, I loved that thing. Gah, I remember seeing it in theaters so well. |
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#48 | ||
Active Member
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Last edited by n0tredom; 07-22-2024 at 03:11 AM. |
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Thanks given by: | tomblu (07-22-2024) |
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#49 |
Blu-ray Samurai
Sep 2014
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It's a little odd that the "US cut" only has burned in subs, and it's annoying that the subs for the "original theatrical cut" duplicate the onscreen English text at the beginning and the end. I guess these subs were intended for a version with Chinese intro and outro text?
Still, I really do appreciate Imprint for bringing all these versions together in one release. |
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#50 |
Blu-ray Samurai
Jul 2013
St. Albans, UK
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Wait, so the "original theatrical cut" has the onscreen text in English? Surely it should be in Chinese?
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#51 |
Active Member
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Yes, it's in English but it's a different translation to the text in the US cut. Presumaby it's faithful to the original Chinese text, instead of rewritten like the US release.
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Thanks given by: | grim_tales (07-25-2024) |
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#52 | |
Blu-ray Samurai
Sep 2014
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![]() From what I can tell, the "original theatrical cut" on the Imprint is from the same master as the Spanish BD from Sony (along with the same English subs), but with a weaker encode. The Imprint doesn't look bad, but the Sony keeps the bitrate mostly in the 30s, while the Imprint hovers in the low-to-mid 20s most of the time. The director's cut seems to be from the same master as the South Korean BD (I have way too many copies of this movie ![]() Basically, if you have the Spanish, US, and South Korean BDs, then you have superior video presentations for the two theatrical versions and about the same for the DC. The upsides with the Imprint are lossless Mandarin audio on the theatrical cuts, the new special features, having everything in one set, and Region A/B compatibility for both discs. |
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Thanks given by: | lateralspin (08-01-2024), Walrus Gumboot (07-29-2024) |
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#53 |
Member
Mar 2017
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if anyone needs to know how bad the subs are on the director's cut. The transfer actually looks better than the south korean blu so idk what they used
https://x.com/TheChewDefense/status/1814804835662696679 |
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#55 | |
Member
Mar 2017
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haven't heard anything about a recall or anything from Imprint |
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#56 | |
Blu-ray Samurai
Sep 2014
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#57 |
Blu-ray Samurai
Sep 2014
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I took another look at the "original" theatrical version on the Imprint and compared a few sections to the Spanish BD from Sony, and I guess I have to amend what I said earlier.
The Sony technically has a higher bitrate, but the two don't really look much different. The compression looks marginally better on the Sony in some shots, and on the Imprint in others. The US cut got the short end of the stick with the botched color space, but the original theatrical and director's cut look about as good as any other release of those versions with English subtitles. |
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#58 |
Special Member
Dec 2012
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Does anyone here know if Miramax had their own restoration studio back then and made the HD masters themselves for Mimic, Pulp Fiction, From Dusk Till Dawn, The Crow and Hero? And if not, who made the masters for them? Disney seems rather unlikely to me, as many titles were distributed by Lionsgate (Studiocanal in Germany).
And who does the restorations for Miramas today, Paramount? It seems to me that the US Blu-ray from Miramax uses the same master as the director's cut Blu-ray from Nova Media and Imprint. However, the colors and contrast were boosted a little for the Directors Cut. |
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#59 |
Power Member
![]() Sep 2018
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Wondering if Criterion could maybe license this out (and even give us both cuts) given the Miramax titles they've been licensing out from Paramount as of late.
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#60 |
Active Member
Oct 2019
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Does the Directors Cut have the same black crush as the Korean release?
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