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View Poll Results: Which version of Star Wars Blu-ray will you be purchasing (or not)? | |||
The Complete Star Wars Saga |
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1,335 | 72.48% |
The Prequel Box Set |
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20 | 1.09% |
The Original Trilogy Box Set |
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110 | 5.97% |
Not Purchasing Star Wars Blu-ray |
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377 | 20.47% |
Voters: 1842. You may not vote on this poll |
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#11041 | |
Active Member
Sep 2009
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You say that 35mm film has 4k resolution. Well the camera negative has 4k resolution! But the camera negative is not what you see in the cinema. Unless you want to watch a 4k camera negative being projected.....and that would not be a pretty sight! ![]() What you see in the cinema are the release prints which are at least 4 generations removed from the original camera negative. And these release prints have a line per picture height(lpph) "resolution" of just 700-800 lines on average: This international study performed in several countries confirmed the above: ![]() http://www.etconsult.com/papers/Tech...Resolution.pdf And this was their conclusion: Film theoretically has very good resolution capabilities. What is delivered to the theatre is another story. If we believe the ITU tests, then images captured at almost 2400 lines per picture height on the camera negative deliver significantly degraded on screen resolution through the projection system – in the range of 500 – 800 lines per picture height. 500 lines corresponds to about 9 line pairs per degree from 2 screen heights. So George Lucas was comparing the end product(i.e the release prints shown in cinemas) to the end product of a digital workflow(images recorded on HD cams to the final result projected on a digital projector). And in this respect a film recorded digitally at 1080*1920 is better or even superior to a 35mm interpositive release print. |
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#11042 | |
Banned
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Maybe I'll start a thread asking if the old man that lives 1/2 mile down the road should wear his blue or grey shirt today. |
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#11043 | |
Banned
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How long on sub-light speed would it take for them to GET TO Bespin? Lando says "I had no choice, they arrived just before you did." That means that Boba Followed them almost all the way at sub-light, the either turned and ran off back to Hoth System or Coruscant and said follow me, he wouldn't trust the empire to tell them if he wasn't there OR he jumped through hyperspace to the other side of the planet, called the empire, told them, they jumped there also on the other side for fear of alerting their presence to the Falcon and landed only when they knew for sure that they were going to land on Bespin |
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#11044 | |
Banned
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#11046 | |
Active Member
Sep 2009
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Hi-def video’s extreme depth of field led the filmmakers to alter their blocking methods, as well as their approach to focusing on multiple actors in a shot. "We knew going in that our cameras had a greater depth of field, 2 to 2 1/2 times greater than 35mm film," Meyers says. "We shot much of the principal material around T2 or T2.8, and that looked flat from your fingertips to infinity. But there are certain focus pulls in three-shots or two-shots that viewers have come to expect aesthetically, particularly in anamorphic shows. So even though you can have a two-shot or an over-the-shoulder in HD where you can hold both actors in focus, we sometimes found ourselves cheating focus on the set to sell the scenes the way audiences might expect them to traditionally play. Whereas the approach to that would be clear and simple with film – go for the person who’s talking, go for the eyes, that sort of thing – we fought a little bit more about how to deal with those splits." <SNIP> Meyers dismisses the notion that Episode II looks better digitally projected than it does on film simply because it originated digitally. "I have some concerns about those comments, especially when you consider that so much of Episode I was digital to start with," he says. "Even though it originated mostly on film, Episode I has plenty of digital matte paintings and digital characters. When we did our digital-acquisition tests, we did side-by-side [comparisons] with anamorphic, Super 35, VistaVision and digital and took them all out to film. Shooting digitally, we got a good-looking picture that in many cases was better than many of the film formats. The decision to shoot digitally had nothing to do with digital exhibition, other than that we could be digital from start to finish. http://www.theasc.com/magazine/sep02...ate/index.html Quite frankly the effects shots of the original unaltered Star Wars trilogy in something as high as 4k will be ugly. All those optical effects were rendered using multiple layers of film......each layer degrading the overall resolution of the picture which will be exposed in a transfer mastered at 2 k let alone 4K(Hence the reason why Lucas replaced a lot of those shots for the special editions). |
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#11047 | |
Banned
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#11049 |
Expert Member
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I don't understand? Why wouldn't you want that to happen? I mean, I like the special editions just fine (they have their flaws but by no means are they unwatchable), but why would you hope an unaltered, yet cleaned up version of the OT not to be released?
Typo maybe? Or humor we are not catching? Last edited by Jay444; 03-28-2011 at 06:18 PM. |
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#11050 |
Banned
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What I'm saying is that Han was already being tortured when Luke left Dagobah. Going back to my other statement of how long were Han & Leia held prisoner on Bespin... How much time passed between Luke leaving Dagobah & his arrival at Cloud City? That would give a start to figuring out how long Han & Leia were actually held prisoner or vice-versa. That may lead to figuring out how long Luke was on Dagobah. Just trying to piece the timeline together.
Last edited by OG Pooh; 03-28-2011 at 06:21 PM. |
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#11051 | |
Blu-ray Knight
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#11052 | |
Banned
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Luke makes jump to Light-Speed, ends up on Dagobah, meets up with Minch, realizes he is Yoda, starts training, is doing so for at least a few days, while Han is moving like a snail through space, then Han and Company finally get to Bespin and spend a few "relaxing" days on Bespin before the trap is sprung so as to lead them into a false sense of security, then weeks into Luke training he gets a future glimpse of Leia & Han tortured. He stays for a bit but gets it again and leaves, takes a day? to get to Bespin and the rest plays out as it is... |
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#11053 | |
Banned
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#11054 | |
Expert Member
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#11055 | |
Banned
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I never said they weren't in Chrono order, just that the Luke scenes mostly take place first then the Han scenes, they still go in the order that they are in... |
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#11056 | |
Banned
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What I'm saying is if these things aren't happening at approximately the same time, then ESB takes place over a somewhat larger span of time than would seem simply going by the events themselves. I'm not arguing, I'm just trying to piece things (mainly how much training Luke did get) together. The way it was put together... Lucas just doesn't show the difference in time very well (if there actually was a difference). Last edited by OG Pooh; 03-28-2011 at 06:59 PM. |
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#11058 |
Member
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#11059 |
Active Member
Apr 2010
Belgium
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What is UOT?
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#11060 | |
Banned
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In fact, When I saw Episode 2 in the cinema, BOTH Palpatine and Sidious are technically "on screen" at the same time. Tyrannus lands, meets Sidious - The Sky is deep red/orange, and also note the sun position Now the scene switches to Palpatine and Organa overlooking the CloneTroopers boarding the ships, same exact time of day. Those 2 scenes made me believe that Palpatine was NOT sidious, at least until a few months before episode 3 when i was in Wal*Mart and saw the action figure of Sidious changing into Palpatine that was left at the register.... That's Lucas' problem though, he has always had timeline problems... |
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Tags |
ford, george, lucas, star wars, vader |
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